Nah Yeah is an all Long Island video by Duran Murphy, which is a twenty-minute deep dive into a scene that we too often only associate with the most obvious names + an annual trip to the Rosyln Banks/pool. It’s also crazy how much a dude switching between éS, Etnies, Vans & Osiris in a single part stands out in 2019. Also, shout out to Mook.
Genny is making edits again! His latest features some bro cam + a bunch of alternate angles from a handful of more proper projects released over the past twelve months. It ends with a sick iPhone slo mo of T.J’s fakie flip over Bond Street, which is basically just a barometer for believing anything done on a skateboard from now on, e.g. “Can you believe so-and-so did that?” “Well, T.J. fakie flipped Bond Street, so yeah.”
Quintessence is a new video from Sam Mccormick that was filmed from 2013 to 2019, and features an overview of every piece of New York crust or diamond-plate that was sought after in each of those years, kinda on a Now That’s What I Call Cellar Doors 2015 vibe. Includes full parts from Joseph Delgado and Neil Herrick at the end. (Jackmauh is a sick last name, btw.)
Lurker Lou is having an art show for his “Purple Shoe Lou” project this Saturday, May 4. 269 Humboldt Street. (Grand Street L train…does that thing run on weekends rn?) 7-10 P.M. Flyer here.
QS Sports Desk Play of the Week:C’mon. We’re sympathetic to the Thunder’s plight in that its oddly reminiscent of the “good” Knicks teams from earlier in the 2010s (moreso now in the Russ-only era…not the whole “drafting three MVPS and only having one left” thing), and we’re obvs massive Russ fans at the QS Sports Desk, but Dame’s shot was one of the most iconic playoff moments in any of our lifetimes. And apparently Portland-based skate filmer, Tristan Brillanceau-Lewis, who put out Portland Public Skating 2 last summer, in addition to a bunch of other videos, shot this close-up angle of Lillard’s game winner.
Quote of the Week: “This drink tastes like melted Spongebob ice cream.” — E.J.
Hearing there was a “b sides” Jay-Z concert at the re-opened Webster Hall the other night made me want to track this part down, so here it is. Zered pretty much has the two best Jay-Z song parts, and both are for “b-sides” (“Lobster & Shrimp” had a video and everything, but that shit is buried in the pile.)
There’s a special place in our hearts for people who wait until the hell weeks of winter to drop edits from a much warmer recent past. Though more of a ~vibe~ than a montage, Marcus Pulvermacher‘s “Plays Pretty For Genny” is one pinch a Genesis Evans cruiser vid, and another pinch Max Palmer reel via the evolving Spiker’s Island spot out in Brooklyn. In between it all, you’ll catch a bunch of familiar faces from Johnny Wilson edits, et al.
No matter how much you may resent the T.F. for the many false-starts it has served all of our lives, there’s no denying that last summer — when it reached full-fledged junk spot status for maybe the first time in its history — was a special moment to lurk there. (Provided you never set any grandiose ambitions for the day.)
Heitor might have the first great part of 2019, but this is the first edit to make spring 2019 in New York feel like a tangible thing.
“aight bet.” is a check-in from Hardbody with a few loose ends filmed since the DANY video came out two long summers ago. Filmed around the city, and featuring Joseph Delgado, Chachi, Shawn Powers, Javaris Williams, Yaje Popson, Jason Byoun, Kevin Tierney, Genesis Evans, and Adam Zhu. Filmed and edited by Emilio Cuilan.
Stay tuned for something special soon ♥
In the meantime, Hardbody goods are available on Hardbody.nyc, and at CHCM Shop (2 Bond Street, quite literally across the street from the gap.)
“What’s the story behind Harold’s ‘Cheer Up, Bagel’ remark?” We finally learn the origin of the greatest sound byte in skate video history (“sometimes I wanna live and sometimes I wanna die” is runner-up) via Chrome Ball’s new interview with Dan Wolfe.
“The production numbers were so large that when I was on a solo trip to Korea tasked with moving production from one factory to the next, during a business dinner at a 5 star restaurant with the factory owner, I was told through a translator that, ‘The factory owner would like to inform you, that he can kill a man in this country and their body will never be found so you might want to change your decisions too.’” — Anthony “The Writer” Pappalardo tracks down the history behind the Osiris D3 with its designer.
Though he let up on the gas a bit since he got robbed for S.O.T.Y. by the third #big #rail #skater to get it in the past three years, Village Psychic offers up a mid-year remix video of Tiago’s stray bits of coverage to emerge these past seven months.
“Think of this magazine as a platform for you — yes, you! — to showcase what it is you do for skateboarding. Wherever you are. Whoever you are. Because as you’ll see here, skateboarding can really be anything you want it to be. It’s just a fucking toy after all.” Vice has an interview with the creators of Skateism, a magazine focused on nontraditional and underrepresented corners of the skateboard universe.
In an age of tuning out pre-roll commercials before skate parts, this line and song are still burned in everyone’s brain — it’s The Chocolate Commercial™, after all. The word “timeless” gets thrown around a lot, but it is hard to imagine this ever looking dated.