They say history goes in cycles. They say those who do not learn from the past are doomed to repeat it. Just the other day, someone on here was talking about how the more things change, the more they stay the same. Word is that the new Zero video feels like a tepid rehash of an old Zero video, but thanks to Peter Sidlauskas, we won’t have to watch the new Zero video.
In case you crawled under a rock in the early hours of Thursday morning and are just joining us… Supreme released Candyland, a new full-length video in honor of their new S.F. shop. Spent the weekend thinking what exactly to write about it, but it feels like a certain switch inward heel is the perfect writers prompt. #staytuned.
Skate videos have long been a portal for musical discovery. Except in recent years, it has began to almost feel like …filler. If one editor finds success with an untapped genre or artist, there is always an avalanche of imitators. If you find that “how has nobody skated to this?!”-song, the answer to your question is often “someone has, it was just in some video you missed.” And a popular song? Forget it, it has been in twenty kids’ IG edits since the day it got uploaded to YouTube.
(Don’t even start with the dude editing his “Trip to N.Y.C!” video to Big L right now.)
Choosing a song that makes an impact, and gets people tracking it down is hard when our attention spans are their fickle 2019 selves. We reached out to five people who routinely put out edits (i.e. not the guys dropping one full-length every few years) to get their thoughts on how the process of selecting music in skate videos has evolved.
Between IG stories and “raw file” clips, there aren’t too many curated destinations for B-roll in 2019. An enterprising few will participate in skateboard fantasy sports and make remixes out of those loosies, but even those are running scarce these days. In this attention economy, asking somebody to watch the same footage twice is A LOT. (Jk, peep the remix that we posted last week.)
Bert’s Vid is a 35-minute bro cam video by Justin Helmkamp documenting much of the toil behind Quasi’s Mother and Bronze’s It’s Time videos (there are a couple No Idea bits in there too, too.) Yeah, there are a handful of shots of dudes following with an HXV, but there’s also footage of the warm-up tricks, the pre-sessions at Borough Hall, and the interludes spent around the corner at some shittier spot while you’re waiting for security to go back inside.
Features E.J. and pretty much everyone you’ve ever seen in Bronze or Quasi video.
And if you play a Bert’s Vid drinking game where you take a shot every time that Chachi gives you the middle finger, you’d probably be …mildly buzzed — though not totally tanked ;)
Doubtful that anybody hasn’t watched it through at least once by now — Sour Solution II is fucking insane. Their first video was nuts, but they entered some new dimension of spots and sorcery with this one. Also, this video makes the whole “Barcelona footage is boring”-thing that people have been saying as of late just seem stupid. Then again, these ten guys are maybe the only ten guys who can skate the spots they skate ¯\_(ツ)_/¯
“Play – Part 2” is an iPhone video by Mateo deJesus featuring Marcello + a few of the Canal dudes, and really makes you happy to remember there’s this thing called summer that happens eventually. Can’t remember the last time anyone had footage from 3030 Park since they half-remodeled it either.
Late to mention here, and it is more symbolic than anything, but Enid’s will be closing down at the end of March. It was the final North Brooklyn Barmuda Triangle institution still standing (Enid’s x No Name x Matchless), which aborted many day-after skate sessions before they even got started throughout the late-2000s and early-2010s. Its throne is now drunkenly held by the Bushwick Barmuda Triangle consisting of Carmelo’s x Birdy’s x Three Diamond Door. Shout out to that time Pryce and Waste held an Enid’s Christmas raffle with a chance to win a TV, and Marty won because he spent more on drinks than the TV itself costs ♥