“It all started because most of the tricks I wanted to film, no filmer got too excited about filming them; the level was not high enough and some tricks didn’t make much sense.” Didn’t see this get posted around nearly as much as it should be: Our boy Ruben Spelta has a new, mostly self-filmed, vignetted, and very awesome part for Magenta that was inspired by Krooked’s Gnar Gnar video.
Ever since he all but deactivated his Instagram and grew his hair out, Ruben put out two parts in the span of a half year (“Astratto” originally premiered in December), plus had a good bit of stuff in that “Storia Italiana” Magenta edit. (Actually, between him and Shogo Zama, Magenta now has two of the best flowy skaters out there, look at that.)
This latest one went live on Free yesterday, and is by Hadrien Buhannic, the guy who has been quietly at the helm of the Bloby edits that shaped up to be some of the most influential skateboarding of the past half decade. It’s about a third Milano Centrale stuff, with the rest in Paris, and like the last part, it is music-supervised by someone who did fire movie scores in the seventies.
We first met Ruben on a QS family trip to Italy back in 2016. Milan has a tight-knit and friendly skate scene — it feels like a lot of it revolves around Milano Centrale and the Chef Family crew. He and his friends were kind enough to show us around their city when we summoned the willpower to leave an absolutely perfect plaza spot. When a spot is that good, you willfully forget that the whole “exploring the city”-thing is a big part of skate trips. (Colleagues echo our sentiments.)
We visited Milan again a year later. On the train-ride into Centrale (yes, the train from the airport drops you off at Italy’s best skate spot), I remembered out loud, “Oh, I should probably DM Ruben and let him know we’re coming.”
“Don’t worry, he’ll already be there,” a mutual friend replied.
Once upon a time, we went years without breaking the annual tradition of End of Summer clips posted right before each Labor Day Weekend.
Then, we were lead astray. To give you some context, the last time we posted one, it was to a Rich Homie Quan song in 2015, and not long after, he devastatingly walked out of our lives never to be heard from again.
Some might say we were too busy indulging in the finer things life has to offer at the expense of time spent on a skateboard. Others blame Instagram for cannibalizing the footage economy, i.e. how often do you see a run of the mill city montage getting uploaded to YouTube or Vimeo these days that isn’t a longform project promoting something or a trip clip? Like, who makes clips over sixty seconds just for the sake of it anymore?
…we do! At least we’re trying to again! Because montages are fun! You get to use more than sixty seconds of a song you like! You don’t have to hoard footage for twelve months waiting for everyone to get their parts together! It’s way more fun than uploading shit to an IG story and getting a bunch of praying hands emojis in your DMs! Montages have vibes! Montages are memories! Montages are beautiful!
Following the start of this year’s summer solstice — amidst the build-out of this snazzy new redesign — we made a resolution to start bringing the #RealCamera™ out all the time. Also, we were still reeling for the devastating loss of Final Cut 7; we had to get with the times and figure out how the hell to use Premiere. August was hindered by a bit of a nagging health issue, but as a bonus, we mixed in the footage from the two-and-a-half days we spent in Prague because there were never any concrete plans for it. (So, it’s basically a July 2018 montage.)
We’d like to extend a special individual thank you to Antonio Durao for keeping everyone hyped this summer, because without him, there’s no way this clip would exist. (You’ll see.) Contributing filmers: Jesse Alba & Emilio Cuilan.
Features Antonio Durao, Daniel Kim, John Francomacaro, Conor Prunty, Connor Kammerer, Chris Milic, Brian Brown, Myles Gable, Hjalte Halberg, Ruben Spelta, Anton Juul.
“I kind of wonder how I had so much nerve to do some of those graphics.” This is nine months old, but shout to Palomino for just linking it — an hour-long interview with Mark McKee that gives insight into the wild west era of skateboard graphics.