We all agree that conversations about Instagram are an egregious insult to our short time on earth. Yet, we cannot help ourselves. How do we crack the algorithm? How do we attain #maximum #exposure? How do we make a million dollars doing not that much, or at least get a follow-back from @emrata to give us a reason for getting up in the morning?
New Jahmal Williams footage is an honor and a privilege. Him and Steve Brandi share a jazzy seven-minute section on the occasion of Hopps’ collaboration with Converse, composed by Static auteur, Josh Stewart. It’s one of those rare videos that you just watch with a smile on your face the whole time. And shout-out to Steve Brandi for his commitment to the iconic Paine Webber benches.
“The rest of the boroughs, excluding Staten Island, have had so many regular Americans move into the neighborhoods, spreading the disease of uptight suburbanites. The average mainland American is just more concerned about the use of private and public property. Maybe I’m wrong, but I like my theory…The Bronx has Bronx hospitality, and I think the average person in the Bronx is more socially advanced.” Caddo also has an awesome follow-up interview on Thrasher that discusses the complacency of finding spots in New York, his favorite borough (guess), and more insight into his ability to film a part here full of fresh backdrops.
This is one of those videos where you think the editing is going to mellow out after the intro, but then it just stays that way for the whole time. “Lentiicular” is a montage from Carhatt-WIP, and features Roman Gonzales, Andrew Wilson, Chris Milic, et al.
“As the human attention span shrinks to rival the goldfish’s, ’tis it better, in pursuit of longevity and countercultural heft, to regularly shed teamriders every few years or hold to the original foundation of dudes as long as can be?” Boil the Ocean takes a ponder over Element and Girl’s new videos.
This is like when Kevin Durant signed with the Warriors, except Tiago Lemos might actually be better at skateboarding than Durant is at basketball, if that’s imaginable.
“Critter” is a nine-minute video of an American road trip featuring a bunch of Pass~Port guys, and has an ender section in New York.
Can’t tell where this “Mud Monsters” mini vid is based out of, and can only pick out a few Chicago and New York spots, but going to guess Texas (?) because it’s maybe the first time I heard Z-Ro in a skate clip, but also have no idea what any Texas skate spots look like, but also also also it’s a fun watch regardless ¯\_(ツ)_/¯
Calling all nerds / hoarders: Does anyone know if there’s an existing copy of the DNA Continuum DVD left on earth? Sources say that the video as a whole is whatever, but it would be nice to update the internet’s only existing copy of Jahmal’s part from the 240p upload on YouTube that is probably older than Kader.
“We now enter a realm where seemingly everything been done, in which all eras exist simultaneously, where nothing and everything is cool and wack all at once everywhere.” Boil the Ocean re: what it takes to impress us in 2018, and Ty Evans.
*Asterisk because two out of three of these blurbs are for photo books, with one of them (the first one) having probably less than a thousand words overall. Anyway, all three of these came out over the course of the past few months, and all of them deserve your time, especially as August grinds the skateboard news cycle to a near halt. Shout out to everyone putting cool shit on pieces of paper and sharing it with the rest of the world, whether it’s a ‘zine, a book or whatever the hell else ♥
Love — Paradigm Publishing
Love is less a book of skate photos, and more a visual essay of what skateboarding looks like when it’s forced to become a form of protest.
Jonathan Rentschler’s book tells the story of Love Park’s final years — a period most visibly represented by Brian Panebianco’sSabotageseries — in black and white photographs. Love was the first time I felt genuine anger while looking through a book about skateboarding: anger at the cops raising up skateboards in smiley triumph as they confiscate them, anger at police officers pulling people by the hair after they throw them to the ground, anger at the politicians attending a groundbreaking ceremony for the park’s destruction, who will no doubt spend as little time in its remodeled incarnation as they did when they were leading a stubborn crusade against the thing giving it life. These images are interjected with a portrait of the community that corralled in a place they were told was not for them. This is not limited to the skaters, but also fringes of society who those same faces of civil service often prefer to ignore.