“I think you’re the first person to actually own up to drunk claims in one of these interviews.” Joey Pepper talks drunk claims and everything in-between for his new Chromeball interview.
Really know nothing about this edit, but enjoyed it a lot — maybe because editing a pandemic-era skate video to “World Hold On” is funny and perfect. “TFTI” is a fourteen-minute homie edit by Reilly Schlitt that looks like it was largely filmed during lockdown days, as all the Stroud, etc. footy is from when none of the courts had hoops. If you don’t have that whistle stuck in your head after hearing that song…idk, one day you will have to answer to the children of the sky ;)
“But as long as your board is selling, no one has any problem with short video parts.” — Rest in Peace, Gabriel Rodriguez. Some of the most iconic arm steez in the history of skateboarding (not sure if anyone threw them ‘bows quite as stylishly as Gabriel did on a rollaway.)
Antosh‘s “Elbow Room” edit for a new board brand called Deed is really, really fucking good. Never would have thought a nose manual on pretty much the entire length of the main bank at Verizon would’ve been do-able, and that ender at Big Screen is nuts. Features solid appearances from all the Canadian sweethearts you know and love.
Don’t think there has ever been a skate interview that just got right into it quite the way Fred Gall’s Chromeball one did. Really wish the best for Fred, and skateboarding is lucky to have such an honest, open person in its ranks of legends. The Governor of New Jersey.
Skate videos have long been a portal for musical discovery. Except in recent years, it has began to almost feel like …filler. If one editor finds success with an untapped genre or artist, there is always an avalanche of imitators. If you find that “how has nobody skated to this?!”-song, the answer to your question is often “someone has, it was just in some video you missed.” And a popular song? Forget it, it has been in twenty kids’ IG edits since the day it got uploaded to YouTube.
(Don’t even start with the dude editing his “Trip to N.Y.C!” video to Big L right now.)
Choosing a song that makes an impact, and gets people tracking it down is hard when our attention spans are their fickle 2019 selves. We reached out to five people who routinely put out edits (i.e. not the guys dropping one full-length every few years) to get their thoughts on how the process of selecting music in skate videos has evolved.
Rodney by Reda, behind Pyramid Ledges from the June 1998 TWS via Ted Newsome’s “New York Minute” spreads. This spot would be extra contemporary today had it not been knobbed for ~two decades.
“Words are escaping me, you’re talking about people I have a strong emotional connection to.” Torey Goodall’s Bunt interview is reaffirming proof of the fact that if you just go on enough drunken trips to New York, things sometimes just kinda work out in the end ♥ Just don’t ask him how he feels about Charles Rivard…
“Don’t mansplain tricks. Get out of here, you’re taking the fun out of skating. If you just go away, I’ll be so much happier. Half the fun of learning is doing it yourself.” Imagine having the audacity of giving Lacey Baker unsolicited trick tips. Anthony “The Writer” Pappalardo wrote an extended profile of Lacey for Huck magazine.
“Bontó” is the latest from the Rios boys, Europe’s most productive crew, and specialists in skating spots that I have absolutely zero interest in ever skating ;)
Diego and Tyshawn are leading everyone else in 2018 for tricks that leave phone screens and comment sections, and actually enter conversation between IRL humans.
“Midtown to us was really just like 5 blocks though. Like 50th Street to 54th Street on 6th Avenue.” Village Psychic catches up with R.B. Umali for some stories about skating Astor, Pyramid Ledges, Union, Courthouse Drop, Flushing, etc.
Tufty showed up and surprised us in Paris on our first day, then we didn’t see him for the rest of our trip because he was doing grown man shit, like waking up before 1 P.M. to go skate spots before they get too crowded.
TWS also uploaded 411 issue #2, which features a Tom Penny “Wheels of Fortune” section filmed exclusively at the skatepark that Palace’s winter pop-up park, Mwadlands, was based on. Fwiw, 411 creator, Josh Friedberg, said that the Penny section was one of his favorites ever from the video mag’s run.
Staletape is a 28-minute long Philly scene video by Joe Ostrowski.
“Whereas Torey Pudwill’s arm motions often hit the red while balancing on history’s most drawn-out backside smith grinds and backside tailslides, Magnus Bordewick’s flapping generally coincides with rocketing pop and crater-making impacts.” Boil the Ocean re: the state of arm movements in skateboarding and Magnus’ new part.
“Popwave” made me want to go skate not-so-good skate spots with all my friends.
QS Sports Desk Play of the Week: Donovan Mitchell should be fun to watch for like, the next decade-and-a-half? Who does everyone have for Sixers-Celtics?
Quote of the Week 11-Year-Old Scooter Kid at Le Dome: “What’s the best trick you can do?” Adult Skateboarder at Le Dome: “Pop shove it.” 11-Year-Old Scooter Kid at Le Dome: “…you’re kidding me, right?”
This is the first semi-late Monday Links post since we vowed to swear off them in honor of the queen’s 30th birthday. BUT — in our defense, the entire office is a bit lagged from traveling back to New York yesterday. We don’t deserve a Gucci polo, but at least it’s not going up at like 4 P.M. ♥
