I think it says in that book The War of Art that just sitting down and doing the thing can break down a creative block. Sometimes, a project takes on a life of its own and becomes something you never imagined. Skate videographer, Jeremy Elkin — whom you might remember from Poisonous Products and The Brodies — initially set out to make a documentary about the seminal Zoo York video, Mixtape. His research led in a more expansive direction.
It’s all fun and games until Balenciaga actually does a renegade runway show at Blue Park next September.
A dear friend, “Zach from Crown Heights,” called into The Brian Lehrer Show’s episode about the “cost of climate resilience” to provide a T.F. anecdote to the ongoing battle with the East River Park renovation. The convo in question happens just after the 17-minute mark. Whole episode is worth listening to if you want some context as to how this whole issue came to be in the first place.
If you can’t make it out on Saturday, don’t forget to help circulate the petition to keep turf off the asphalt at Tompkins Square Park. If you’re sharing any reflections or memories of what this park means to you on social media, please be sure to tag any posts with #savetompkins.
“One thing Jones has that a lot of pro skaters don’t is a bunch of hardheaded friends who are willing to bring city life to a halt for him.” Can’t imagine there’s a single person who reads QS that hasn’t already read Willy Staley’s incredible profile of Tyshawn Jones for The New York Times, but also don’t think anything else could justifiably be the first link this week.
“The further uptown you went, the quieter and more desolate it was. And the more you could get away with.” While on the topic of #MSM #skate #coverage — never knew about this 2005 New York Mag article about Andy Kessler and the original Zoo York crew of the 1970s-80s. (So nice that we have evolved and endured enough to avoid calling things “Dogtown East” now hehe.)
2018 feels like the first lllooonnnggg year in a while. Like, did the Cons video come out in 2016? But alas, we had to cuff up our macaroni denim before it went out of style, and recap just what the hell happened in this year that felt like three.
It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.
“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥
“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.