Fear & Loathing In The Financial District

The Beacon crew has an eight-minute snapshot of the Summer at Tompkins 2k24.

Juan Reyna and his crew have a new 20-minute video out called SMOOCH, which is entirely filmed in New York. Always impressed that the E. 9th Street triangle continued to live on as a functional spot despite the reconstruction that made it fifty times worse.

Jerry Fowler — a late 90s/early 2000s pro who was ahead of the curve on multiple waves of ledge skating — filmed a selfie part for Orchard, his hometown shop in Boston.

Slam City Skates interviewed Will Miles about the making of QuickStrike.

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It Begins — Nike SB’s ‘QuickStrike’ Video by Will Miles & Johnny Wilson

Every month on QS is Antonio month, but this month is REALLY Antonio month.

As you may recall, in 2023, skateboarding collectively decided that its Oscars season — which had otherwise been reserved for October, November and December to mirror the final quarter of Thrasher‘s S.O.T.Y race — now begins in August. When writing about this new phenomenon for QS, Ian Browning imagined “a nineties skater version of the meme about how eating a bag of Takis would overwhelm and kill a child from the 19th century.”

In watching Will Miles and Johnny Wilson’s QuickStrike video for Nike SB — a proverbial “return to the streets” the day after the Olympics ended — it was tough not to hark back on that image.

Imagine a crew of four pimply teenagers in 1993, who had just picked up a copy of Girl’s Goldfish video from their suburban hometown skateshop. They push home as fast as they can, dodging the half-full cans of Yoo-hoo being hurled at them out of a 1990 Honda Civic full of jocks and their cheerleader girlfriends. They stumble inside, push the tape into the VCR, and somehow, QuickStrike plays instead.

What would happen?

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Almost Got Into a Fight With American Pie Guy

In case you haven’t heard: the Tompkins construction that was set to begin in September, will now begin ~mid-November. The colder the weather, the less of a chance the asphalt will cure soft, or something like that? Any QS Readers work for a paving company?

Going Once, Going Twice” is a fun Philly-based video by Fionn McLaughlin that’s light on the Muni and heavy on the crust. (Feel like there was another recent-ish homie video that ended with “Dirty Work” as well? Perfect homie video song.)

Mark Humienik, Nico Marti, Alan Bell, Zak Anders + more in Chase Walker’s Minneapolis trip edit from an Asics wear test.

“Every day is Friday when you’re Tyshawn Jones.” Late on this — and it’s not a skate pod obvs — but Tyshawn was on the Throwing Fits podcast a week-and-a-half ago. (That link opens in Spotify, btw. But it’s on Apple Podcasts, too.)

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Avec the Homie

John Shanahan starts a line by rolling off the amphitheater at the Citi Field benches, props a tile up to the second level of the CBS benches, and kickflips off the grate side over the Crosby Street bump-to-bar in his latest DC part, in case you haven’t caught it yet.

Everybody’s unloading their fakie 5-0 flip out clips at Big Screen now that the spot’s knobbed 😔 Jasper Stieve and Neema Joorabchi come through with a new one for Free, featuring watery gap to grinds and exemplary frontside heelflip form.

“I think it’s safe to say that the range for a proper ledge height in a skate park setting should be between 13 1/2 and 14 1/4 inches.” Dave Caddo went around the city measuring the dimensions of some of its most oft-skated ledges, from the 12-inch-high Reggaeton fence ledge or the 19-inch-high Flushing Meadows Park Ledges. He compiled his findings over on his Substack, Skait Brane.

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The New Full-Length From Nike SB — Will Miles’ ‘7 Ball’ Is Live

7 Ball is the latest full-length from Nike SB and U.K. videographer, Will Miles. It feels like a continuation of the best bits from the Jacob Harris-helmed Trust Fall that dropped back in 2019, grouping the best-fitting riders from the colossus that is the 2023 SB team into a cohesive project. Everyone here feels like they actually enjoy skating with one another, rather than the “showcase” vibe that often happens when companies try to stuff their entire team into one project — to pretty much the detriment of everything. (The plus side of shorter attention spans today: it’s probably a good thing that we’re past the era of Nothing But The Truth and Away Days.)

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