So we were honored when videographer Macéo Moreau, Quotamine, and the crew at Cons hit us up to debut Victor’s first U.S. part, filmed entirely in San Francisco during a winter trip. Anyone who has watched those Marseille edits knows that the French city is also quite hilly itself, making S.F. the perfect American canvas for Victor’s #longform lines — and frankly, providing just as much of a showcase for Macéo’s filming abilities as he charges alongside Victor down the street, weaving an S, and never missing a beat.
QS has harbored a distant fascination with the Marseilles scene ever since the first Unemployed Skate Co. edits began popping up on Vimeo. Over the years, it has only grown, seemingly alongside the scene’s international profile and collection of new spots. Victor Campillo — originally from Aix-en-Provence, France — has been on a wild productive streak over the past several years and stands out as somewhat of an ambassador for the Marseille scene. We had Elliott Wright, a onetime Marseilles resident, get ahold of him to gain an understanding on why the south of France feels like its having such a moment.
“[Keith] saw that we had skateboards and asked if we wanted to skate his ‘run.’ This ‘run’ was a planned-out continuous route of spots he’d hit on a daily basis. You had to skate it fast and without stopping because there was traffic, open businesses, pedestrians and security guards — who knew Keith would be pushing through at some point after 3 P.M. when school was out.” Thrasher has an incredible retrospective feature that recounts stories from many of Huf’s closest friends.
♥ A heartwarming story about a New York skate shop owner, a New York surf shop owner, Paris, and Mike Carroll doing a backside 5050 ♥
We rant about seeing the same spots in Big Skate City™ trip edits like anyone else, but just the right mix of people skating them, and all of a sudden, none of the nitpicky skate criticism matters anymore. Really wish this Insta edit of Max Palmer, Remy Tav and Sylvain Tognelli skating go-to spots in Paris was 4x as long. (Also funny how 2/3 of the people in it don’t even have Instagrams.)
It had a brief run on the TWS site, but “Crop Circles Volume 1” is now online in full, and is one of the best post-Love Park / Philly survivalist videos yet.
“A typical day was waking up at 6:30 A.M., breakfast, heading to the construction site, working till 10-11 P.M., and having a late night crew that stayed up to 3 A.M. on some days.” Monster Children has the story about how a small crew with minimal resources built the first-ever skatepark in Angola in just 28 days.
“Did skateboarder’s hopes for a professional minimum salary level die along with Rob Dyrdek’s dreams for a skaters’ union? Does there exist a ‘rough cut’ of Nike’s commercial in which Kyrie Irving clowns Eric Koston for not having a video game character in the last 10 years’ worth of THPS titles? Is this commercial ripe for parody by the remaining aggressive inline rollerbladers, except where they’re barging Lance Mountain’s backyard pool?”
QS Sports Desk Play of the Week: We don’t often showcase dramatic dunks on here (or 2019 Warriors highlights, for that matter), but that Demarcus Cousins dunk was straight out of the 1990s NBA. And we’ve honestly been far too exhausted with any and all developments pertaining to the basketball team who plays on 33rd and 7th this past half-decade to have any solid opinion about the Porzingis trade. It’s just all too tiring. We have shit to do.
Quote of the Week: “The vegan girl at the vegan restaurant was having a vegan crisis about her vegan Super Bowl party.” — Alex Mosley