Just because you’re a thorn in the side of every skater guy yelling at a cloud on the internet, doesn’t mean you can’t MS Paint art direct your way into having friends in high places. Facing the dilemma of promoting a Nike SB collaboration with limited Nike SB riders on their amphibious roster, the Frog team called in a couple favors.
They borrowed Numbers’ Antonio Durao (apparently on his way home moonlighting at a catering gig, so the answer to the age-old question of “how much do you pay Antonio?” is “not enough”), 917’s Nolan “Every Time He Focuses A Board, That’s $20 Out Of Alex Olson’s Pocket” Benfield, Stingwater C.E.O. Daniel Kim + several others who consistently gyrate around the Frog universe, but earn their check elsewhere — and headed down to Atlanta.
Gotta hand it to Europe’s Most Productive Crew™ for consistently doing something that feels so natural and different than everything else out there, year after year — especially in a country without much of a skate industry. Also ~love~ the recurring role of dogs in their videos. “Nap Mint Nap Volume 4” is the latest from the Rios Crew. We really gotta make it out to Budapest, pretty much everyone says nothing but good things…
In hindsight, it’s pretty crazy that a peak shiny suit era Bad Boy song ever slipped into an Alien Workshop video, even for 45 seconds. And guess what! Twenty years later, we get the full [re]edit: Manolo remixed two decades of Kalis footage to the complete extended version of Black Rob’s “Whoa.” FWIW, that album has some sleepergems.
“Pornography had already been done, and the skate/fetish graphic thing said all that needed to be said on the subject. Take away the black bag and the sticker about censorship, and you just have a dumb idea repeated endlessly. For nearly 3 decades.” Ted Barrow wrote a nice piece on the history of the black bag World Industries board, and everything that followed it over on Skateism.
Solange in a skate clip ¯\_(ツ)_/¯ Def worth the watch from Peter Deigaard + Drew, Hugo, Ville, and all the Copenhagen boys, which will make you feel the summer even if you have no Danish travel plans :)
“DOA RMX” is a video featuring some upstate dudes (pretty sure…), and has a random ass remix of Pat Washington footage from the early 2000s at the end, which is timely given Jamal Smith reminded us about his iconic Got Gold? part last week.
“I kind of consider 2000 to 2009-10 the dark ages of skating. It was just like, the filmer and photographer decided what a skater would skate. If you were good, you got shipped out to California and you would skate with people that would be like ‘You need to do this.’ Almost like there were requirements. ‘Do this handrail.'” Spot-finder extraordinaire, Dave Caddo, has an interview with Village Psychic about the rules of skating new spots, blown out spots, and unlocking spots.
Spent a month or three mulling about whether to write something about the three skate movies that came out in 2018 on here. Quite obviously, nothing on that end came to fruition, and this Paris Review piece on Minding the Gap is nine zillion times better than anything I could have written on what is, far and away, the best “skateboard movie” ever made. Get that free Hulu trial if you haven’t seen it yet.
i-D has a long feature commemorating Palace’s ten-year journey from a brand conceived in a dilapidated skate house by Southbank to what it is today: employer of Torey Goodall, Jamal Smith and Tico ♥
Unclear if he’s been reading more women authors or not, but Mark Suciu has a bunch of New York clips in his new Thunder part. Pretty sure he’s the first one to get a clip at those year-old, two-second bust ledges by IBM, and that rock ollie in front of Corner Bistro is fucked.
Ciao is the latest all-New York video by Ricardo Napoli. Teaser here.
Anyone got the story or any info on this photo? Just a random Tumblr find.
It was a SLOW Monday morning of skateboard link data collection (there has yet to be any coherent #longform reflection on “BLESSED” to peruse), but then T.J. nollie flipped — actually, maybe just watch the part…”KILLER” is a full Tyshawn part filmed exclusively at T.F. West.
“When people are in public spaces or people are walking through public space…They conceive it as a kind of as a private property. Do you understand what I mean? So it’s like, ‘this is for this…Look there’s a bench here and it’s clearly meant for people who have shopped in that store to come here and eat this kind of fucking sandwich…’ They have a certain kind of possessive sense of everything.” — The always insightful Ocean Howell, with your #longread for the week via an interview about *shock* how skateboarders interact with public space in 2018.
We’re holding an editor’s meeting first thing this morning to see if it is possible to do a skateboard version of this New York mag article: “The Oral History of Four Loko in New York. A lot of cancelled following day sessions, and a lot of unnecessary nights in bookings coincided with this era writ large.
Two Brazilians came through and filmed his five minute shared New York part during that one magical week when the planters were moved away from the CBS Ledge. I know GX got all you psyched, but everyone please be careful filming in traffic, for the love of God.
“I didn’t really receive shit out of it other than 11-16 year-olds hating me. Now that they’re 23 and they finally meet me, they tell me I’m a nice guy.” Love Skate Mag has an interview with Lurker Lou.