“People always want to trap people in a box for what they’re good at.” Thrasher posted the audio of Tyshawn’s interview from their last issue, on the occasion of their “passing the torch” S.O.T.Y. feature.
“In a sense, Jeff Grosso’s contributions to the world aren’t singular but part of an entire point of view — one that could reflect how ridiculous life is while also hugging what he viewed as important tightly in secret. That’s an art. The ability to make things like skateboarding that feel so disposable yet life-changing — tricks that last seconds, yet feel immortal.” — A Loveletter to Jeff Grosso.
We did two overnights in D.C. this past summer with one explicit rule: no stopping at Pulaski. It was mostly because of the blazing heat that accompanies a place with no nearby shade, but the irony of avoiding the greatest spot still standing on American soil was that it forced us into one or two zones that we would’ve otherwise neglected.
Once upon a time, we went years without breaking the annual tradition of End of Summer clips posted right before each Labor Day Weekend.
Then, we were lead astray. To give you some context, the last time we posted one, it was to a Rich Homie Quan song in 2015, and not long after, he devastatingly walked out of our lives never to be heard from again.
Some might say we were too busy indulging in the finer things life has to offer at the expense of time spent on a skateboard. Others blame Instagram for cannibalizing the footage economy, i.e. how often do you see a run of the mill city montage getting uploaded to YouTube or Vimeo these days that isn’t a longform project promoting something or a trip clip? Like, who makes clips over sixty seconds just for the sake of it anymore?
…we do! At least we’re trying to again! Because montages are fun! You get to use more than sixty seconds of a song you like! You don’t have to hoard footage for twelve months waiting for everyone to get their parts together! It’s way more fun than uploading shit to an IG story and getting a bunch of praying hands emojis in your DMs! Montages have vibes! Montages are memories! Montages are beautiful!
Following the start of this year’s summer solstice — amidst the build-out of this snazzy new redesign — we made a resolution to start bringing the #RealCamera™ out all the time. Also, we were still reeling for the devastating loss of Final Cut 7; we had to get with the times and figure out how the hell to use Premiere. August was hindered by a bit of a nagging health issue, but as a bonus, we mixed in the footage from the two-and-a-half days we spent in Prague because there were never any concrete plans for it. (So, it’s basically a July 2018 montage.)
We’d like to extend a special individual thank you to Antonio Durao for keeping everyone hyped this summer, because without him, there’s no way this clip would exist. (You’ll see.) Contributing filmers: Jesse Alba & Emilio Cuilan.
Features Antonio Durao, Daniel Kim, John Francomacaro, Conor Prunty, Connor Kammerer, Chris Milic, Brian Brown, Myles Gable, Hjalte Halberg, Ruben Spelta, Anton Juul.
Hey what’s up hello. It’s the latest Monday post since the queen turned 30 back in February, but this week is a wash, let’s be real.
“The democratic process is going to march on with or without you and it’s up to you to make a difference in it. Whether or not skateparks really make the city a better place or not – you can argue it one way or the the other – the fact is that they bring vitality and youthfulness. That’s kind of the new currency, really.” Village Psychic caught up with our friend Will Cornwall about how the skate community in Providence, R.I. turned a neglected bit of their downtown into a multi-use skateable public space that wouldn’t look out of place in say, Malmö. Honored to have been a tiny part of the story ♥
We try to steer clear of the “fashion ripping off skateboarding YJ&&&T&%R$$^&!!!” angle considering skate graphics have been riffing on high fashion logos for decades, but Dolce & Gabbana’s DG King line looks eerily similar to that company the guy with that part in The Reason started… A wise man once said “you don’t have to be smart, just don’t be so fucking stupid” — this is more like “you don’t have to be original, just don’t be so fucking obvious.”
Michael Mackrodt’s “Fishing Lines” in Paris sequel is damning evidence of the fact that Paris is somehow even more afflicted with the “all visitors skate the same exact spots” dilemma than New York is. After maybe ~5 skate trips there, we have been to zero of the spots he skates. Keith Denley claims that it’s because those spots being “in the Paris equivalent of Bayridge,” but also he is not a licensed geographer.
Just when you thought DS1000 was the most fried concept you were gonna get for a video, Rob Fraebel made a 2018 video partially filmed on a Fisher-Price camera released in 1987 entitled PLX2000. (Don’t worry, it’s mostly VX though.)