Some Type of Links

watermelons ss crook

Watermelons Switch Crook via Clark Hassler’s Instagram

Preview: Quartersnacks x Trukfit. Also is “Vine with a fisheye the new VX1000?”

A day at Flushing alongside Dipset’s 2002 Rap City freestyle.

Frozen in Carbonite reviews some books while drawing parallels to skating and stuff. “One could say that skaters born between 1972 and 1975 (Markovich, etc.) got screwed because they were too young to get in on that eighties money, yet too old to get in on the late 90s shoe/board sale boom.”

The Tennyson remixes continue. This time, it’s a Chocolate mini video with re-edited parts from Kenny Anderson, Chris Roberts, Gino and Richard Mulder.

Some guys from Beyond Skate Shop out in Finland came to New York and put together a cool montage.

A bunch of clips from New Yorkers below drinking age being productive: 1) Spring Intermission by Michael Elijah, which has a Rob C cameo 2) iPhone montage via Kasper. 3) Death Video Throwaways Vol. 7. 4) Tribeca montage via the Dunions.

Street League re-imagined on a curb.

The crew behind the In Crust We Trust video takes a trip up to Montreal.

Ishod does a huge backside flip in bright swim trunks, then crashes into a tree.

Tony Hawk’s first skateboard is now in the Smithsonian Museum of American History. Anyone who kicked you out of a spot this past weekend is an asshole.

Palace eBay Watch: My dad bought a 1989 Toyota Corolla in 2003 for $300 and it ran for a good sixteen months.

Spot Updates: 1) There are two [likely temporary] small manual pads at the former Bubble Banks right now. Get some wheelies in while you can, because they’ll probably build stuff on top or around them. 2) There’s a doghouse / spine ramp thing at the BQE spot now.

QS Sports Desk Play of the Week: Danny Green breaks Jesus Shuttlesworth’s record for most three-point shots made in a NBA Finals with 23.

Quote of the Week:

microsoft fucked up

How awful is the title of that new Jay-Z album? Not that there is any interest in the album around here either way, but the title is so particularly bad that it had to be mentioned. Either way, thanks for the memories.

Standalone Uploads: Sage Elsesser & Aidan Mackey in \m/ and Rick Howard in Super International Tour Zone

sage nosegrind

Two cool videos surfaced over the weekend. Here are some highlights from each, conveniently uploaded as single versions to watch before skating.

\m/ is a video by Cooper Winterson and is over an hour long. A lot of embittered older bros might find it hard to get psyched off watching sixteen-year-olds skate, but at least Sage and Aidan’s skating takes notes from the simpler side of things and obviously Alien Workshop 3.0. (FYI: 1.0 = this, 2.0 = this & this, 3.0 = this & this, 4.0 = this?) Watching kids do cool 5050s and cruiser lines with big ollies is better than, say eight years ago, when your average “good” high school skater on the east coast couldn’t be bothered with anything besides a nollie backside bigspin down whatever ten-stair was available. Sage is likely known to some as “that Odd Future kid” (he’s had other New York-based parts, by the way), and Aidan is recognizable for having he most vibrantly-colored hair to ever set foot in 12th & A. They both rip.

Watch \m/ in full on YouTube

Okay, it’s safe to assume the guy making these forty-minute-to-hour-long Girl re-edits is a psycho — a brilliant one — but still a psycho. Even redubbing three minutes worth of skate noises for our Forrest Edwards re-edit was the most tedious process ever. This guy does it for over an hour, and organizes a decade-plus of footage with it at that. Is this what people are capable of when they live somewhere with absolutely no distractions?

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Synths, Irony & Robots: A Chronicle of Daft Punk Music Supervision in Skate Videos

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Image via Street Piracy

Every skate site was obligated to have a “Dill & AVE Off Alien”-post, and every website on the entire internet is required to mention the new Daft Punk album. Combined with the release of Kendrick Lamar’s debut last fall and next month’s Kanye album, we are in an eight-month rut of opinion onslaught from an unholy trio of annoying fanbases.

…but even skateboarders are talking about Daft Punk! Skaters previously only acknowledged electronic music when posting “wtf iz with dis song?” comments on video parts that dared to use it. And now they’re interested in dance music? Instead of giving an opinion about Random Access Memories like everyone else on the internet, here’s an abridged history of how Daft Punk, and in turn, electronic music as a whole, achieved acceptance in skate videos.

olson daft punk

[Much like how Europeans are more sexually liberated than Americans, they also have a deeper history of accepting electronic music in their skate videos. So, please note that this is a North American timeline. Accounting for European usage of electronic music adds another dimension entirely. Frozen in Carbonite wrote about French house, French Fred, etc. back in 2011, so read that for a more worldly take.]

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Ayo For Yayo: A Salute to Mike York, An Icon of Low Impact Skateboarding

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“All of my video parts, I had fun. I tried to be realistic so if you saw me, it wouldn’t be a letdown. I’ve seen video parts then seen the dude skate in real life and been like ‘Wow, he’s a video skater. He don’t really do that stuff for real.’ I wanted to be honest. This is my level. Yeah, my toe dragged. Yeah, that wasn’t high. Yeah, it was kinda sketchy. Yeah, I didn’t slide that far…But there it is. When you see me skate, I’ll probably land another one like that and you’ll be able to identify with it.” — Mike York

Certain corners of the QS office have long contended that Mike York had one of the best parts in Yeah Right! Though this may be a tall distinction in a video that ends with a 360 flip noseblunt down a handrail, our bias for low impact skateboarding is widely documented on the pages of this website. Noseslide-heavy trick repertoires are infinitely relatable; skateboarding will progress to bigger and techer feats, but for many, our ceiling is a shove-it and noseslide combination (or two 360 flips in a row.)

In sports, there is always talk of “good locker room guys” — role players and veterans who provide personality and intangibles that build the character of a team. That’s something that isn’t as apparent with Girl/Chocolate in the Everybody-is-Good Era 2.0, at least from an outsider’s perspective. While the new riders are likely all great kids, positive, fun to have on trips, etc., a big piece of Chocolate’s appeal in the pre-E.I.G. era was how it had more blue collar skaters like Chico, Richard Mulder and York to fill roster spots around guys who were unequivocally the best skaters on earth. Nowadays, it’s only the latter, and yeah, it does get a bit exhausting watching seventy minutes of tricks one cannot even begin to comprehend.

(There is also the argument that the average skill level of a young skater today is way higher than it was ten years ago, so the skaters in videos that they find immediately relatable might just be unrecognizable to those of us accustomed to, say, the aforementioned three. Plus, please keep in mind that this is being written by someone who believes Ben Sanchez had the 3rd or 4th best part in Mouse…)

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Re-Edit of the Year: The Lost Mike Carroll Part in ‘Dog’

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This is coming nine months shy of list season, but it’s unlikely that any 2013 re-edit will surpass “Dog,” the 40-minute Girl and Chocolate B-sides video from The Tennyson Corporation. Girl should send these guys a sizable check, supply them with a lifetime’s worth of free skateboards, issue a recall on all Pretty Sweet DVDs purchased thus far, and replace those copies with new discs that have this edit as a bonus feature. What crazy person re-dubs 40 minutes worth of skate noises?

Yes, we linked it up last week. Other people did too. Somehow, it only has 15K views, and deserves way more attention considering it compiles loose footage of some dudes who might be done with putting out full parts. Though maybe not as exaggerated as “I’d rather watch Gino go grocery shopping,” the “I’d rather watch a part of Carroll / Rick / Koston / B.A. / etc. messing around than ___” sentiments are pretty common for the older crowd. “Dog” is the antidote for any person who was bummed that their favorite Girl or Chocolate rider over thirty didn’t have a full part in Pretty Sweet. It includes an incredible Koston section, a Devine Calloway semi-part, a surprise “I didn’t know he had this much B-roll” section from Alex Olson, and Mike Carroll’s five-minute ender, embedded below for easy pre-session access. There’s a Rick Howard part before it, so watch the full video here.

Thanks again to the great people who put this together. You deserve an Oscar.