Floating

Ok, We’re Leaving” is a sick Chicago scene edit by Harald Reynolds that casts a wide net beyond the expected batch of Chase footage, and has a lot of sick clips from Vince Guzaldo, winner of top honors in Boil the Ocean’s “Best of 2022” accolades. Those cut-out ledge tricks at the end are wild.

“I will never take the $17 Panda Bus again.” Heckride interviewed Salomon Cardenas.

Ayoub Tabri dropped a sick new D.C. edit for Skate Jawn featuring Rahzel, Kevin Augustine, and other Pulaski locals.

Jenkem got 2023 predictions and more from a bunch of familiar faces in their latest “Shop Talk” installment from the F.A. store with Father Bop, Efron, and more.

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The Third Track — Johnny Wilson & Supreme in Chicago

If you’re a longtime QS reader, there’s a decent chance that the ~2014-2020 run of Johnny Wilson videos have saved up enough repeat viewings for a penthouse apartment in your heart. And within that sweet-spot of unbridled productivity that went down from 2014 to 2016, “rack” always felt like something of a crown jewel. There were Cyrus’ night lines, Hjalte and Brass interchanging clips before they were Polar teammates, and Antonio throwing a switch tre down D7 in the middle of a web edit — all soundtracked to Moodymann, when #skatevideohouse was at its peak.

Which is also the reason we’re talking about “rack” today. Johnny just dropped a Chicago edit with the Supreme dudes to commemorate the opening of their new store out there, and a Moodymann reprise was naturally in order. Except this time, it’s Nik Stain, Kris Brown and Kalis trading granite cathedral lines, Caleb with 10/10 switch heel form, and Tyshawn doing Tyshawn shit.

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Spotlight Chicago — An Interview With Mark Dunning About Deep Dish & ‘Terminal’

Intro & Interview by Mike Munzenrider
Photos by Mark Dunning, Alex Hupp, Frank Verges & Mike Heikkila

It’s rare that a skate video is so clearly evocative of the time in which it was made. There’s a sense of pandemic emptiness that runs through Terminal, Deep Dish’s latest video, nearly all shot in 2020.

Mark Dunning, lead filmer and editor of the Deep Dish series — now up to eight titles — says one of the reasons he makes videos is to shine a light on Chicago skateboarding, because he says it doesn’t get the attention it deserves. He also says he’d long sought a particular shot of Chicago, showing it as “deserted or forgotten,” something which he says that he finally achieved in Terminal. Perhaps that purposeful emptiness was heightened by the past year.

It was under COVID-19 conditions that Dunning, a year ago living in New York City, says he made his way back to his hometown Chicago. With rumors of New York going into lockdown and the uncertainty behind it, he says he and his girlfriend packed their car and drove west, thinking they’d work remotely for a week before heading back.

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Fool’s Spring

Adrian Vega via Giovanni Reda. This photo really does justice to how gnar tricks on this bank are.

Zach Moore (director of last summer’s remix blockbuster, “Jake Johnson: The Movie“) is front-running for delivering 2021’s best laughs so far. A)The Ultimate Skate Songs Collection” envisions skate videos’ most iconic music in the format of a late-night TV commercial for a CD box set. The plot twist in this one is so brilliant. B)A Caption To Die For” pays tribute to Thrasher‘s often absurd video captions in the form of old-timey newspapermen by way of classic Hollywood film noir. Give Zach Moore his skate Oscar.

This likely got to you last week, but ICYMI, Cyrus was the latest guest on The Bunt.

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