“Day in the Life” videos warrant a cursory skimming through at best, but this one with Jawn Gardner skating around Long Beach and making friends with everyone kicking him out of spots could have gone on for twice as long :)
Philly from Humidity, Tyler Tufty, and Keith (!) Denley (!!) all have cool clips in this Nike SB wear test montage from Minneapolis a few weeks back.
People are still flying down that hill from the Long Island Expressway by Queens Mall, huh? Iconic 2008 spot. OMW is a twenty-minute video by Angel Delgado that Skate Jawn posted up last week. Features a bunch of familiar faces.
Five out of five Tompkins skaters agree that this is the best box ever made. Sadly, it’s on the other side of the planet. We got to talking about replicating it — anybody know any welders? (Real question.)
Holy big flip, here is an illicit link to Brandon Westgate’s part in the new Element video, Peace. (Read: Will probably get deleted.) Really sick to see him still gunning for it as hard as he was in the Stay Gold days, and on a lot of new/seldom-seen New England spots at that. Would comment on the THPS music, but Brandon Westgate never struck me as a skater who is too invested in music.
Not much other info on it, but “Background 1” is a fun lo-def video with a ton of faces you’ll recognize from Gang Corp edits, Tompkins, and L.E.S. Park. All street clips.
Listen to Bobby Puleo fan out on the Gonz for five minutes. He’s really good at finding the right words to describe why certain small things make a trick or photo extra special.
I’ve found myself using the word “super” too much lately, too :( Gino Iannucci is the latest guest in an hour-long interview on Lee Smith’s podcast.
Always down to plug something that resurrects the lost art of the video review. Livegets all Boil the Ocean on us and uses a bunch of vocabulary stuff and long sentences to do a joint review of Doll and It’s Time, two videos that occupy space on opposite ends of the spectrum (and country.)
The general harshness of the world feels extra apocalyptic in an election year, but if you’re an optimist (or willing to turn your sights that way), I read this article (from April 2018) about the [good] ways in which American life is currently being reinvented on a micro level and felt fuzzy inside, at least for a bit ♥ Love you guys, and please go vote next Tuesday!
QS Sports Desk Play of the Week:This four-second video encapsulates the entire history of the Brooklyn Nets. (And yes, if it was by a Knicks player, it’d encapsulate their past 17 years too obvs.)
Quote of the Week: “A Bennett grind is like another drunk tank trick.” — Dana Ericson re: someone else (forgetting who) originally coining a smith kickflip as being a “drunk tank trick.” (Hypothetical: Has there ever been a Bennett grind that’s been better than even the most generic switch back smith? Actually, nvm.)
Ricky Oyola, godfather of the east coast “filming a line via just skating random shit on the street”-practice, once expounded on his peak skateboard dream: doing a line through Philadelphia’s then-standing City Hall, into the street, up into the Municipal Services building, back down the stairs, across the street, into Love Park, through Love Park, and end at Wawa.
The closest he got on record was a line from the end of City Hall, through the intersection, and into Love Park in Eastern Exposure 2, but it did establish a lingering precedent for connecting spots. Apart from Ricky and that Joey O’Brien Sabotage 4 line where he starts at Love and ends up in the garage beneath it, spot connecting does not have a rich history in Philadelphia.
Or anywhere, really — because doing a line from one spot, through the street, and to another, is fucking hard. There are variables (people, traffic, pebbles, maybe two sets of security, acts of God), and a pressing anxiety of missing the final trick in an already-long line, which gets amplified by the fact that fifteen other things went right up until that point. As you will soon learn, spot connecting is something most people do for the sake of doing it. In the majority of cases, they stick to their safe tricks.
Like Philadelphia, New York is a dense and layered city. Many of its streets are narrow, and depending on where you are, three or four spots could be across from one another. New York never had a “Big Three,” but it does have three different types of benches on four different street corners, and over the years, skateboarders here have kept their third eyes open and far-sighted.
Been a slow start to the year out there. Pretty excited for this heatwave though.
Steve Mastorelli (the guy who made The Meadowlands last year) has a sick new edit up, which screened before the video at the NJ Skateshop Stop Fakin’ 3 premiere. Features a bunch of familiar north Jersey faces and spots.
One of the standout ex-pat / visitor in New York vids in recent memory — “Dice of Life: Twenty Eighteen.” Huge array of spots (shout out to everyone venturing out to the still-good spots that weathered locals otherwise gave up on), really sick skating (the line at the Escape From New York cathedral on Amsterdam is fucked + the varial heel at Southbridge Towers is sick too), and one of the best No Limit songs to start it off, though they only used the worst verse on it :)
Coda has new montage for 2018, with some wild moves, especially in the first part, which seemed like it was about to be filmed exclusively under the J train.
Skating writ large prides itself on a “no rules, bro!” ethos. #Menswear, an entity with which skating has become increasingly intertwined of late (via Vogue Skateboarding Magazine, etc.), has all kinds of rules. No black belt with brown shoes. No wearing white after Labor Day. One’s tie can’t go past one’s belt. Skating has no such faux pas — except for MAYBE brand-mixing — i.e. one can’t wear a Venture shirt if one is skating Indys or Vans socks if you’re wearing Nikes.
But what if I told you that skaters have curated their own sartorial code for decades — painstakingly color-coordinating their shoes, shirts, hats, and even spots? However, the modern-day thrift store aesthetic has left color-coordination by the wayside, even as color-blocking seemed to make a comeback last year, or some shit. So, in conjunction with New York Fashion Week, enjoy this retrospective of color coordination while you’re waiting to get into the Wang party or whatever.