Astor & Lafayette, in a galaxy far, far away. Jacked from That’s a Crazy One.
“In fact, they feel it was exploitative, that Clark capitalized on the brilliance of the crew while failing to capture the true beauty of their world. They weren’t as sex crazed as the film portrays them, for one. More important, in Kids, it seems all the boys want is to fuck the girls, but in real life, the girls weren’t sexual conquests. The boys and girls ran neck and neck and were best friends.” Ok, so lately been wondering about the origins of the photos from @thatsacrazyone on Instagram, which has tons of early and mid nineties stuff around Astor, Washington Square and the Banks + some same faces from Out & About, etc. (This Loki photo is the coolest a slappy crook on a six-inch curb will ever look.) Turns out its for an upcoming book of the same name, whose website hasn’t been updated in a year-and-a-half, but apparently is still coming out as per this feature in August’s issue of Vice. Really looking forward to this one :)
File Jawn Gardner’s Bruns 2 part under: Video Parts That Made Me Yell At My Computer Screen More Than Three Times in 2016.
Probably listened to The War Report more than any other venerated nineties New York rap album as an adult, so this’ll be a nice addition for the wall.
“Rifuckingdiculously Sorry” is the forth and final installment to Flip’s Sorry series, oddly starring a bunch of Canadians skating in Toronto.
The history of skateboarding unfolded pretty much alongside the development of trucks, and plot-twist — women run everything in skateboarding. Part two of Jeff Grosso’s history of skateboard trucks is now live. (Part one went live last month btw.)
Village Psychic with another round of strange skater + sponsor match-ups.
Probably the best *sounding* video of all time, Tim Dowling’s Listen, in full.
You probably already saw this: Austyn’s TWS cover footage and Brad Cromer front blunting a Seaport bench in Huf’s new NYC edit.
This is six-years-old and has nothing to do with skateboarding, but I read it on the plane twice. “If journalism’s more vital traditions of investigating corruption and synthesizing complex topics are going to be restored, it will never be at the expense of the personal, the sexual, the venal, or the sensational, but rather through mastering the kind of storytelling that understands that none of those things exists in a vacuum.”
Quote of the Week: “They make MTV music that I want to listen to.” — Pryce Holmes’ Sremmlife 2 review