Kicked Out of the Bar By the Swedish Military

Lucien Clarke in the Financial District by Mike Heikkila 📷 for 2001 Mag

We have our first one-spot video of 2024! Kurt Havens filmed a video entirely at the Abraham Lincoln statue in Prospect Park to show the world how much joy and creativity could be extracted from an innocuous patch of smooth stone in the middle of a big, green park. It has been added to the QS One-Spot Part Map 📍🐢

“The ConEd Banks sit quietly near the entrance to a mysterious 300-acre parcel of land that has been a site of energy, pollution, and controversy for over 100 years.” Village Psychic wrote the history of the ConEd Banks, which has a strong crossover with the New York hardcore scene of the 1980s. (Before anyone asks, yes we have looked into doing a “Favorite Spot” with Zered about it, but the consensus seemed to be that the footy was too scattered.)

Paris De Noche is the new video from Naquan Rollings filmed in New York, Philly and Paris, with standout clips from Jahmir Brown and Carl Aikens.

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Drive The Fiat Like It Was A Chevy

📷 Photo by Joel Meinholz

“I hate to lean on this clichéd-ass targeted-ad-ass assertion, but skateboarding is a global support system.” Zach Baker wrote a trip article about an Alltimers trip to Medellín for Thrasher. The video + Joel Meinholz’s photography from it are all included 🇨🇴 Somebody bring Tom Knox to that first plaza.

Known goat, Jawn Gardner, empties and shreds an abandoned pool in Bridgewater, NJ that was built during the Eisenhower administration, and skated as far back as the mid-80s — while giving us a nice history lesson in the process 🐐

Ron Allen is 60 years old 🤯

Joe Buffalo has a new part out for his Anti-Hero guest board. If you don’t know about Joe, please watch the New Yorker mini doc about him from 2021.

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Floating

Ok, We’re Leaving” is a sick Chicago scene edit by Harald Reynolds that casts a wide net beyond the expected batch of Chase footage, and has a lot of sick clips from Vince Guzaldo, winner of top honors in Boil the Ocean’s “Best of 2022” accolades. Those cut-out ledge tricks at the end are wild.

“I will never take the $17 Panda Bus again.” Heckride interviewed Salomon Cardenas.

Ayoub Tabri dropped a sick new D.C. edit for Skate Jawn featuring Rahzel, Kevin Augustine, and other Pulaski locals.

Jenkem got 2023 predictions and more from a bunch of familiar faces in their latest “Shop Talk” installment from the F.A. store with Father Bop, Efron, and more.

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The Third Track — Johnny Wilson & Supreme in Chicago

If you’re a longtime QS reader, there’s a decent chance that the ~2014-2020 run of Johnny Wilson videos have saved up enough repeat viewings for a penthouse apartment in your heart. And within that sweet-spot of unbridled productivity that went down from 2014 to 2016, “rack” always felt like something of a crown jewel. There were Cyrus’ night lines, Hjalte and Brass interchanging clips before they were Polar teammates, and Antonio throwing a switch tre down D7 in the middle of a web edit — all soundtracked to Moodymann, when #skatevideohouse was at its peak.

Which is also the reason we’re talking about “rack” today. Johnny just dropped a Chicago edit with the Supreme dudes to commemorate the opening of their new store out there, and a Moodymann reprise was naturally in order. Except this time, it’s Nik Stain, Kris Brown and Kalis trading granite cathedral lines, Caleb with 10/10 switch heel form, and Tyshawn doing Tyshawn shit.

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Spotlight Chicago — An Interview With Mark Dunning About Deep Dish & ‘Terminal’

Intro & Interview by Mike Munzenrider
Photos by Mark Dunning, Alex Hupp, Frank Verges & Mike Heikkila

It’s rare that a skate video is so clearly evocative of the time in which it was made. There’s a sense of pandemic emptiness that runs through Terminal, Deep Dish’s latest video, nearly all shot in 2020.

Mark Dunning, lead filmer and editor of the Deep Dish series — now up to eight titles — says one of the reasons he makes videos is to shine a light on Chicago skateboarding, because he says it doesn’t get the attention it deserves. He also says he’d long sought a particular shot of Chicago, showing it as “deserted or forgotten,” something which he says that he finally achieved in Terminal. Perhaps that purposeful emptiness was heightened by the past year.

It was under COVID-19 conditions that Dunning, a year ago living in New York City, says he made his way back to his hometown Chicago. With rumors of New York going into lockdown and the uncertainty behind it, he says he and his girlfriend packed their car and drove west, thinking they’d work remotely for a week before heading back.

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