Five Favorite Parts With GX1000

February 22nd, 2017 | 10:30 am | Features & Interviews | 4 Comments

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Photo by Richard Hart
Intro & Interview by Zach Baker

Ryan Garshell is committed to the craft of filming in as literal of a sense as imaginable — the only way he bails on a hill bomb is if a car literally forces him off his board. While some put their energy into production value, weird archival footage and editing, GX’s preoccupation is portraying skating’s rawness and lasting criminality. Garshell is skating’s largest proponent of the camera that Bill Strobeck threw in the trash a few years ago, and his filming is often as fucked as whatever is going on in front of the lens. As the skater, there must be some added incentive to land tricks when you know that your filmer will see the clip through no matter how steep the hill, how bummed the homeowner or how many cops are present.

GX1000 managed to create a style of video that is completely unique — an aesthetic that is so hard to imitate because it would require being as crazy as Garshell himself, whose five favorite video parts are listed immediately below this sentence.

An Interview With Ray Barbee

February 15th, 2017 | 5:00 am | Features & Interviews | 3 Comments

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Interview by Genesis Evans
Collages by Requiem for a Screen via scans from Chromeball
Intro by QS

Mythology has become an accessible commodity. Fifteen years ago, the people who shaped a generation’s manner of approaching the world on a skateboard were confined to hard media with dwindling circulation. Half of my age group grew up hearing the holy words “Tom Penny” for years, without seeing anything until Menik Mati came out. Today, mythology is a click away; you can tend to your old soul without going far. The full spectrum of inspiration is available.

Ray Barbee, for this same reason, has become even more of an inspiration to us in the present day — even as we drift further from the days when he was releasing video parts. Ray’s graceful simplicity on a skateboard is an image that summarizes why anyone skateboards in the first place, no matter the age. We usually save thank yous for the end of interviews, but preemptive thanks to Ray for taking the time out to talk to us, and for pretty much everything :)

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Where are you from and how old are you?

I was born in San Francisco, and when I was five, we moved to San Jose. That’s where I got into skateboarding. Right after my sophomore year of high school, we moved to Orange County. I’m 45.

How old were you when you first started skating?

I was 12. It was right before 7th grade.

I think I also started around 12. Do you think that where you grew up had an impact on the way that you skated?

Oh, completely. Your biggest sphere of influence is your immediate community. When I got into skateboarding, I didn’t know about magazines or videos. My friend got a skateboard for his birthday, and then when we went to school, we met up with other skaters. They took us to backyard ramps and things, and that was my introduction into the culture. Later, I started finding out about videos and magazines.

Did you face challenges in the skate world because you were black?

Yeah, I did. But never from skaters, or not from whites, if you will. I got it way more from other brothers and sisters…other blacks who thought I was trying to be white. They would always make fun of me for riding a skateboard because they thought it was a white thing. In the 80s, it was so close to punk rock and surfing, so I can see why they thought that, but at the same time, it motivated me. I always felt like, “I love what I’m doing, hopefully you guys are digging what you’re doing.”

Did you get that same response from family members?

No, not at all, thankfully. I’m sure they were probably scratching their heads — I know my parents were like, “what is this skateboard thing?” But for them it was more like, a financial thing. Skateboarding’s not cheap, man! But no, my family was encouraging.

An Interview With Sage Elsesser

February 10th, 2017 | 7:00 am | Features & Interviews | 22 Comments

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Interview by Earl Sweatshirt
Photos by Ben Colen, Rob Collins & Jared Sherbert
Collages by Requiem for a Screen

Quartersnacks has long operated around the idea that your friends are your favorite skateboarders. You know every quirk and anecdotal backstory to your friends’ individual ways of skateboarding. Interviews, for that same reason, can be tough. You only really know half the story from watching someone in videos, or reading other interviews they have given to people who are paid to write about skateboarding. Sometimes, a friend knows the best way to lead someone into a conversation about why they skate the way they do, and are the way they are as a person. Quartersnacks is proud to present an interview with Sage Elsesser, conducted by Sage’s longtime friend, and current roommate, Earl Sweatshirt.

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What’s your whole name?

Sage Gabriel Carlos Atreyu Elsesser.

What got you into skating?

Probably my dad. I feel like he just knew a lot of skateboarders. But also, in kindergarten during show and tell, a kid had a skateboard. He was sitting on it and I was like, I need that — whatever that is. Then my dad got me a size 8 board. I was like 3, 4 years old. The board was taller than me.

When did we start chilling?

We started going to the same school. I remember there was a time when I went to the blacktop, and I was in like 3rd grade, a tiny child, and you were in 6th, and these niggas let me play with them. Then we actually fully reconnected at the alumni carnival. Our school used to have an alumni carnival every fall towards the beginning of the school year.

Didn’t you bring me my board?

Yeah, camo Alva grip!

Definitely camo grip to match my camo fucking Air Force 1s. You brought me my board, I didn’t even know you that well.

I saw you put your board behind the trash can and I was like “where are you going?” “I’m going to smoke…weed.” I remember going to school the next week, going into the janitor’s closet and I saw the board. I took it and gave it back to you. So from there, you were like, “let’s skate.” We lived in the same neighborhood, like 10 minutes from each other.

When did you get good at skating?

The definitive moment I got good was during halftime of a soccer game. I was 12. I seen a kid at the park with a board, and I was like “let me see that.” I did a heelflip in cleats. So perfect. Stationary. Everyone on my team was like “what!” My coach was pissed. Lowkey, I was like, “I’m a skateboarder.” That felt good, and I remember telling myself, “this weekend, I’m gonna go skate.”

When did you start doing impossibles?

8th grade when I moved to New York. I didn’t know Aidan, but we moved out here at the same time. We just clicked when we met, and then Aidan taught me how to impossible.

Five Favorite Parts With Brian Anderson

January 11th, 2017 | 5:00 am | Features & Interviews | 6 Comments

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Photo by Joey Digital

Went from doing one of these once every month to once every quarter. Might try and pick it up a bit this year, but we’ll see what happens. Request line is open ;)

Figured we could annotate B.A’s heavy media presence from last year with a conversation about a light topic: inspirational old skate video parts. It is pretty unexpected how so many older street guys (especially east coast bred ones) end up picking tons of vert and transition-based skating.

Related: An Interview With Brian Anderson (April 2013)

Metropolitan 2.0 — An Interview With Keith Hufnagel

January 5th, 2017 | 9:00 am | Features & Interviews | 7 Comments

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Photo by Ari Marcopoulos

The internet has given plenty of pros, videos and companies — or at least an idealized version of them — a second life. Case in point: Metropolitan was a Deluxe-distributed wheel brand that ended in the mid-nineties. It began its second internet life on the pages of Police Informer, a defunct Blogspot page of largely east coast-centric magazine scans before Chromeball took the torch over in 2010. The company’s ads were black and white portraits of skateboarding in New York shot by Ari Marcopoulos, with a distinct non-skate photographer take on the traditional skate ad.

Since then, those iconic ads have been reblogged, regrammed and reposted in every place possible, oftentimes by people too young to have ever ridden a set of Metropolitan wheels. After seeing a few glimpses of Metropolitan gear that was a bit too clean to be vintage throughout the past year, we learned that Keith Hufnagel, one of the original teamriders for the brand, is relaunching it altogether.

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For those don’t know, what was Metropolitan?

Metropolitan was a wheel company. Deluxe was doing Spitfire in the early nineties, and they decided they wanted to have a brand that was more east coast driven. They realized they weren’t getting much traction on the east coast. It was Jim Thiebaud, Chris Pastras, and a few others who developed Metropolitan, which only featured east coast skaters. It was myself, Ryan Hickey, Maurice Key, and a bunch of other guys.

It was a cool but very short-lived company. Spitfire was doing well, Metropolitan was doing decent, and they had to make the decision on which to run with. Spitfire was the stronger brand, so they continued to go with it. We were all heartbroken because we all thought Metropolitan was the best brand ever. It was around for three or four years, but I’m not positive.

Was there any reason as to why Deluxe wanted to start a wheel company as opposed to a board brand?

I’m not sure. Deluxe has done a lot of off-shoots that were board companies. They did Stereo, they did Rasa Libre. Some stayed, some went away. I’m not sure why they didn’t approach Metropolitan as a board company, but maybe their plate was too full.