Via @lefthandande on IG
“Mired in gloom, to whom to look to for hope? A swaggering, bearded and sometimes-shirtless Frenchman beckons, modeling responsible social distancing behaviors from within a picturesque seaside flat. Lucas Puig is the COVID-19 therapeutic the world needs to see through these dark, blurring-together days.” Boil the Ocean throws Lucas Puig’s name in the hat for S.O.T.Q. — Skater of the Quarantine. And after that Biarritz edit, we are inclined to agree ♥
Still devastated after finding out that his Yeah Right! part was fake back in September. Never thought Takeshi 6ix9ine would be the one to ruin all of our childhoods…
Crawled under a rock Friday morning? Dime’s Knowing Mixtape Volume 2 is live.
Safe to say that Marcello won the Pyramid Ledges best trick contest that Jenkem has going on. Wow.
Rashad Murray’s part in the D.C-based Bottleneck video rips.
We did two overnights in D.C. this past summer with one explicit rule: no stopping at Pulaski. It was mostly because of the blazing heat that accompanies a place with no nearby shade, but the irony of avoiding the greatest spot still standing on American soil was that it forced us into one or two zones that we would’ve otherwise neglected.
→ Please sign the petition to show your support for keeping the asphalt at the Tompkins Square Park courts. This space is as sacred to skateboarding and the East Village as the Rucker or the West 4th Street courts are to basketball. It would be a massive loss to the youth and cultural fabric of the neighborhood if they were covered with synthetic turf. We are a few hundred shy of 25,000 (!!!) signatures, so please please please share the petition with your friends, and on your respective social channels.
After many years of captivity, the Zipper Ledge is finally free and dressed with a fresh, yellow paintjob, as first reported by @mini_spots. (Don’t ask for pin! That’s like asking where the Empire State Building is!) If only the park starts opening the gate at Yellow Rail, then the entire Morningside little kid skate scene circa 2003 will be in full revival.
Jesse Alba is the latest guest on The Bunt, and really happy that he no longer lives at 51 Eldert Street.
…aanndd Max Palmer is half the man he used to be in Jesse’s new #longform iPhone edit.
One of the hardest things about interviewing skateboarders is not asking the same ten things that the last few interviews they did asked. It’s special and rare when you get someone for their first one. Caleb Barnett did his first ever interview with the Slam City Skates blog.
Photo by Kyle Myles
Words & Interview by Frozen in Carbonite and Recordings of Boardings
Pulaski, for connoisseurs of plaza skating, offers the most authentic experience left in North America. One is out in the open yet simultaneously in one’s own pocket of reality. The Capitol looms at the end of Pennsylvania Avenue, and the White House stands only a couple of blocks away. The locals know the color schemes of the different law enforcement vehicles that encircle the block and react accordingly. The sheer electricity of the overall experience blows away your local park, no matter how expansive or plaza-like.
Like I said here, the power resides in the marble.
D.C. videography dates back to Sheffey’s A Reason for Living part, but exploded onto the scene via Chris Hall’s New Deal parts and the first issues of 411. Dave Schubert’s camera and Giant Distribution’s willingness to feature their riders at the time offered skating writ large a window into an intimidating but mind-opening scene that overshadowed Love Park for most of the early nineties. In 2018, “east coast” is synonymous with wallrides ‘n shit, but Pulaski locals were just as tech if not moreso than their Embarcadero contemporaries.
In addition to producing generations of rippers, Pulaski has produced as extensive a library of independent scene vids as anywhere — back to True Mathematics’ Prosperity², to the seminal Pitcrew (R.I.P) vid Where I’m From, to the turn-of-the-century classic Pack a Lunch. As computer technology facilitated D.I.Y. video production, more essential documents emerged. Along those lines, we recently caught up with Smalls, the dude behind the longest-standing D.C. video series, to discuss Stop Fakin’ 3 — the third in the trilogy of the same name — and the culture of one of the most prolific scenes in the world.
You can purchase Stop Fakin’ 3 along with the whole trilogy here.
