Streetsweepers

It’s wild that this thing reached a level of being skated-enough to where the city actually went out of their way to knob the ledge. This photo certainly does the spot the most justice out of all the coverage you’ve seen on it • 📸 Mike Heikkila on the photo, Thomas Dritsas on the board.

Enjoyed “Whistle” a lot — a Washington D.C. video by Eddie Gutierrez that at once feels nostalgic while firmly of the moment. A lot of unfamiliar faces to those outside the D.C. scene, though it’s hard not to wish you knew who some of them were (to the chagrin of the position that homie videos should have titles.) Skate Jawn has an interview with Eddie about the video’s creation as well.

Village Psychic has a part-by-part deep-dive of what it would take to make a sustainable skateboard.

9 hugs, 41 blunts, and 54 slams — 4Ply Mag went ahead and crunched the numbers on Shake Junt’s new video, Shrimp Blunt.

A half hour of Tyshawn loosies!

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‘Imagine If You Could Just Rip Across That’ — An Interview With Dick Rizzo

Intro & Interview by Farran Golding
Collages by Requiem For A Screen
Photography by Mike Heikkila
Run Painting by Andrew Durgin-Barnes

In the blink of an eye, we’ve had a decade of Bronze, a homie video series turned brand that reshaped the runtime required to deem a project “full-length.” Quasi transcended their birthright as a successor to Alien Workshop, carved out a singular path, and released two of the best longform productions in recent memory. The moniker “HUF” now covers not only the guy whose video parts defined less is more, but a longstanding brand.

Dick Rizzo – or Richie to those who know him — has in one way or another, intersected with these moments in contemporary skateboarding, which makes it all the more surprising that his story hasn’t been more thoroughly explored.

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Need To Know Basis — Three Skate Media Voices on the Economy of Sharing Spots

Intro & Interviews by Mike Munzenrider
Illustrations by Cosme Studio

What is your first reaction when you see a new spot on a friend of a friend’s Instagram page? Is it straight to the DMs for the address, asking around, or are you a D.I.Y. about it, seeking out context clues in the clip? Does it vary by situation: what happens when you, yourself, are in possession of a brand new spot? And how does one catalog such information?

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3 Mophies Is Basically a VX

Brian Panebianco at the ever-enduring ABC Ledges. Photo via Mike Heikkila, who actually has an interview over on the Skate Jawn site.

“The only survivor of this whole mess of skateboard media is Thrasher. And why? Because they’re still owned by a skateboard family…If I ever were to start another magazine, that’s how I would do it.” Hanson O’Haver wrote wrote an awesome oral history of Transworld, which closely parallels the greater story of skateboard media in the last thirty years.

“I didn’t want to be that kid asking for stuff. I’d rather just buy it.” Josh Davis wrote a rad profile of T.J. for Hypebeast’s magazine. They just put up online.

Ross Norman — a longtime favorite of the QS office, and the guy who Hjalte said he stole all his tricks from — has a new part over on the Free site. Hasn’t long a single step.

“So how does it feel to be a woman in skating?” “Well, I have a vagina, and if I do a kickflip, it’s still there.”

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