“I will do anything for skateboarding. This episode can save lives, it creates communities. It’s the closest thing to music, and the coolest thing about music is that there’s no place on earth where it doesn’t exist.” Skateism has an interview with Buddy and Rick about making the LGBTQ+ episode of Love Letters to Skateboarding. There is also a supplementary “Love Note” with Cher Strauberry and Barker Barrett about how to be a better ally.
Not much you haven’t heard by now, but it makes a particular impression with the overhead shots of skateparks in the city that have sat empty for months now: a twelve-minute look at how COVID-19 has affected the skate industry in New York, and in many ways, made the act of street skateboarding come full circle to an approach that existed before the skateparks were built everywhere.
“In fact, they feel it was exploitative, that Clark capitalized on the brilliance of the crew while failing to capture the true beauty of their world. They weren’t as sex crazed as the film portrays them, for one. More important, in Kids, it seems all the boys want is to fuck the girls, but in real life, the girls weren’t sexual conquests. The boys and girls ran neck and neck and were best friends.” Ok, so lately been wondering about the origins of the photos from @thatsacrazyone on Instagram, which has tons of early and mid nineties stuff around Astor, Washington Square and the Banks + some same faces from Out & About, etc. (This Loki photo is the coolest a slappy crook on a six-inch curb will ever look.) Turns out its for an upcoming book of the same name, whose website hasn’t been updated in a year-and-a-half, but apparently is still coming out as per this feature in August’s issue of Vice. Really looking forward to this one :)
You probably already saw this: Austyn’s TWS cover footage and Brad Cromer front blunting a Seaport bench in Huf’s new NYC edit.
This is six-years-old and has nothing to do with skateboarding, but I read it on the plane twice. “If journalism’s more vital traditions of investigating corruption and synthesizing complex topics are going to be restored, it will never be at the expense of the personal, the sexual, the venal, or the sensational, but rather through mastering the kind of storytelling that understands that none of those things exists in a vacuum.”
Quote of the Week: “They make MTV music that I want to listen to.” — Pryce Holmes’ Sremmlife 2 review
