The first one-spot part of the decade: Sergio Rodas and Brian Douglas share a section entirely filmed at Scudder Plaza A.K.A. the Princeton University spot. It’s crazy how no matter what talk there is about the decline of plaza spots in the U.S., post-Love skateboarding on the east coast has coincided with a surge in footage from here, Empire State Plaza, Everson, etc. — all of which went largely under-covered in the two decades prior.
The JHAKX video from Takeshi Nagamatsu has a New York section to start it off, plus a lot of familiar faces. It’s funny to see the metal strips across the Cooper Union bank get defeated one at a time over the years.
“Pleasure” is a 20-minute NJ/NYC/Philly video by Hugh O’Hare, and “Don’t Smoke That Wood In Here” is a 10-minute NJ/NYC/Philly video by the Lottery Boiz. Shout out to the enduring badness of bust-free ledges in the greater New York metropolitan area, which causes all of us to still drive out to Staten Island to skate P.S. 6…in 2019. Also, of course skaters wasted no time editing something to Young Thug’s late summer beach anthem, but tbh, “went from boogie board shorty and now I’m the big kahuna” is a lot to live up to.
Chrystie NYC’s first full-length video, Chapter One in now live on Thrasher. Features an ender part from Aaron Herrington, a bunch of footage of that dude Kuae Cosa who’s been popping up in Cons edits, the up-close angle of the other way ollie at the Crosby Street Vespa Bump… and that ride-on grind at LaGuardia High School is insane.
“The guys in the video don’t give a fuck about the American industry anymore. We were also all listening to a lot of Tupac at the time and getting kicked out of spots in Cali, then jumping into the van and blasting that Tupac song kind of cemented it.” Ok then. Free has a full retrospective on one of the seminal skate video imports of the 2000s, Lordz’ They Don’t Give A Fuck About Us (and answers the question we were asking a lot back in 2013: what happened to William Phan?
Steve Mastorelli made a rad Silvester Eduardo remix. Actually missed a bunch of this footage before. Syracuse nollie flip was sick.
These Bunt episodes are getting pretty long. Kerry Getz is the latest guest. Love a level-headed, smart former pro. Shame that the angry, “everyone screwed me over” curmudgeon types tend to get all the attention though.
Copenhagen and Malmö still got Paris beat on the whole “skateable obstacles integrated in public spaces but not exactly skateparks”-thing, but yeah! What they said! But for New York! Would trade like 3-4 New York skateparks for just that little red plaza on the side street in Berlin.
Quote of the Week Charles Rivard: “He skates like he’s on coke, and parties like he’s on weed.” Rob Harris: “More like he skates like he wishes he had friends.”
We did an end of the year inventory over at the warehouse, and turned up some loosies of things we had marked as sold out. Check the webstore in case you missed out on something from the last release. It’s not a restock, e.g. maybe we found quite literally two larges of a tee and threw them back online. Once they’re gone, they’re gone. Thank you everyone for all the support throughout the year.
“I think me doing all these other things outside of skating makes me like skating more.” Thrasher posted up Tyshawn’s interview from the last issue, and the full “BLESSED” article online. Still processing how Kadow’s Chinatown Banks lipslide ever worked out.
Need a playlist with a sizable chunk of the Young Thug leaks from 2018? Yeah, you do. It’s insane some of these are sitting in purgatory compared to what gets released by the label. This playlist > the sum of his “official” 2018 output, and his “Let It All Work Out” is better than his dad’s ♥
QS Sports Desk Play of the Week: Theotis Beasley WITH THE BLOCK!!!
The China Banks are some of skateboarding’s most hallowed ground. From being a pivotal filming location for Powell Peralta’s The Search For Animal Chin, to the site of Joe Valdez’s tricks that earned him a devoted cult twenty years after the fact, to the host of numerous NBDs, magazine covers, and even 2018 video part enders — there are few street spots in skateboarding that have been able to endure FOUR DECADES of continued innovation and history.
…but those are San Francisco’s China Banks.
New York‘s China Banks are perfect three-foot-high quarterpipe transitions, which are ideal for a city that didn’t begin getting a surge in actual skatepark transitions until the 2010s. They have gaps between them, a hip, and are the perfect size for anyone looking to have fun learning a transition trick on a natural quarterpipe. The only catch is, of course, that they are made out of perhaps the only surface less conducive to skateboarding than fire or water: cobblestones.
So why have our Chinatown Banks, constructed out of some of the worst possible material for skateboarding, endured as a kinda-sorta-maybe-could-be spot for the past ~twenty years?
You know those friends who always find themselves in “project” relationships, where they try to see the best in the person despite countless red flags, and drain themselves trying to “fix” their significant other? That’s New York skateboarding’s relationship with the China Banks — I mean, have you seen the garbage we skate? We look at bad spots through rose colored glasses, thinking they’re mere steps away from perfection. We’re co-dependent on these bad spots; the plain trick on the bad spot just means so much more than if it’s a hard trick on a recycled plastic bench in a parking lot. Maybe if we approach them just the right way, and apply just the right tweaks to them, the Chinatown Banks will love us back.
Unfortunate for us, things don’t always work out as optimistically as we hope.
