Just make the next one Tyshawn Jones Pro Skater. Photo via Atiba.
“I just saw myself as a homie who was helping another homie. That was not something that ever crossed my mind like, ‘Am I good at this?’ Both of us are happy in that moment.” Jenkem has an amazing interview with Briana King about her meet-ups for girls and LGBTQ youth learning to skateboard.
“I think you really got to listen to your feeling. Don’t go for the show. Go for your heart.” Lucas Puig on relationships, wood, plants, oceans and not having his johnson fall out when he’s skating in shorts — also for Jenkem, also inspiring. Maybe it’s time we start working on a sequel to the “Poolside” remix…
This was the decade that the full-length skate video was supposed to die. We began the 2010s with everyone insisting that Stay Gold would be the last full-length skate video. Then, Pretty Sweet was supposed to be the last full-length video. Some people thought that Static IV would be it — the end, no more full-lengths after that. But I feel like I heard someone say Josh was working on something new a couple months back? Idk.
The experience might’ve changed. We’re not huddling around a skate house’s TV covered in stickers to watch a DVD bought from a shop anymore (if this past weekend is any indication, it’s more like AirPlaying a leaked .mp4 file via a link obtained from a guy who knows a guy), but the experience of viewing a fully realized skate video with your friends for the first, second or twentieth time is still sacred.
Just as we asked for your votes for the five best video parts, we did the same for the five best full-lengths: if you could choose the five videos that defined the 2010s, what would they be? The results were a bit more surprising than the parts tally in some ways, given that it felt like independent, regional and newer, small brand videos dominated the decade, yet Big Shoe Brands™ and Girl + Chocolate still made their way into the list. The top-heaviness of some companies or collectives was less of a surprise, in that certain creators loomed large over the 2010s.
Like the installment before it, this list is sans comment for 20-11, and then via favors from writer friends for the top ten: here are the twenty best skate videos of the past ten years.
Just got back from Greece, so maybe there’s a heightened awareness thing going on, but it kinda seems like ~going to Greece~ is becoming more ofa moment now that a second generation of Americans has successfully re-done the entire list of ABDs from the 2000s at the Le Dome double-set ;) ANYWAY! You should watch the new sixteen-minute edit from our Greek friends at Screw Loose Fastening Co. to break you out of the République / Southbank / Barcelona / etc. European content spiral. It looks different, and is a lot of fun.
“The history of skateboarding is the history of the built environment, and of the ruins left by overreach.” Here’s a really rad photo essay about how hill-heavy condo developments in North Carolina that were left all but abandoned by the Great Recession have become ripe for skateboarding.
“Places are all very different but also the same, right? A lot of it is what you carry around in your head.” Big past week for Jacob Harris on the ol’ non-Thrasher, non-Instagram skateboard content circuit: Atlantic Drift’s auteur talks to the Slam City Skates blog about his process and how Las Vegas is kinda the same as London at the end of the day ♥
How insane is it that the two French skate spots most recognizable to Americans have simply been, like, renovated and restored to brand new condition over the past twelve months? There’s actually this cool place by the Brooklyn Bridge that could use a similar treatment, but that probably makes too much sense, right? :(
QS Sports Desk Play of the Week: Enjoy Giannis in these cute early years before you have to get used to him breaking your team’s heart for the next ~decade are so.
Quote of the Week: “The Sombrero is the only spot in New York that isn’t a bust.” — Cyrus Bennett
Past generations of skateboarders outside the U.S. felt like they kept one eye on America, the unavoidable center of skateboarding’s media and industry, and another inward on their native scenes. British skateboarding, on the other hand, felt like it had to look three ways: towards America, around its European neighbors, and at itself, as a place that produced distinctly English skate videos that looked unlike anything else.
It is tempting to call Jacob Harris’ “Atlantic Drift” series on Thrasher the most beloved video franchise coming out of the U.K. today. Except the videos are less an insular sum of their influences, and more a global portrait of a particular brand of skateboarding, as seen through an English lens. It was no surprise that Jacob’s influences came from all over the place ;)
Skate videos have long been a portal for musical discovery. Except in recent years, it has began to almost feel like …filler. If one editor finds success with an untapped genre or artist, there is always an avalanche of imitators. If you find that “how has nobody skated to this?!”-song, the answer to your question is often “someone has, it was just in some video you missed.” And a popular song? Forget it, it has been in twenty kids’ IG edits since the day it got uploaded to YouTube.
(Don’t even start with the dude editing his “Trip to N.Y.C!” video to Big L right now.)
Choosing a song that makes an impact, and gets people tracking it down is hard when our attention spans are their fickle 2019 selves. We reached out to five people who routinely put out edits (i.e. not the guys dropping one full-length every few years) to get their thoughts on how the process of selecting music in skate videos has evolved.