No, where are not above using an iPhone pic of a sunset for a headline image ;)
Truth be told, 80% of skate trips go to the same dozen places. When there’s an uptick in coverage from a new one, it’s no different than noticing a trick return to fashion, or everyone’s pants cuffs starting to homogenize. And lately, a lot of crews have been going to Greece. Not to say that skaters visiting Greece is some new phenomenon — just that this past year has felt like it produced a new “Trip to Athens!” clip each month.
Just got back from Greece, so maybe there’s a heightened awareness thing going on, but it kinda seems like ~going to Greece~ is becoming more ofa moment now that a second generation of Americans has successfully re-done the entire list of ABDs from the 2000s at the Le Dome double-set ;) ANYWAY! You should watch the new sixteen-minute edit from our Greek friends at Screw Loose Fastening Co. to break you out of the République / Southbank / Barcelona / etc. European content spiral. It looks different, and is a lot of fun.
“The history of skateboarding is the history of the built environment, and of the ruins left by overreach.” Here’s a really rad photo essay about how hill-heavy condo developments in North Carolina that were left all but abandoned by the Great Recession have become ripe for skateboarding.
“Places are all very different but also the same, right? A lot of it is what you carry around in your head.” Big past week for Jacob Harris on the ol’ non-Thrasher, non-Instagram skateboard content circuit: Atlantic Drift’s auteur talks to the Slam City Skates blog about his process and how Las Vegas is kinda the same as London at the end of the day ♥
How insane is it that the two French skate spots most recognizable to Americans have simply been, like, renovated and restored to brand new condition over the past twelve months? There’s actually this cool place by the Brooklyn Bridge that could use a similar treatment, but that probably makes too much sense, right? :(
QS Sports Desk Play of the Week: Enjoy Giannis in these cute early years before you have to get used to him breaking your team’s heart for the next ~decade are so.
Quote of the Week: “The Sombrero is the only spot in New York that isn’t a bust.” — Cyrus Bennett
We have a capsule with Nike SB releasing this Saturday, April 14. It’s definitely our best one! More info soon ♥
Gonna throw in an early left field link, but the Pass~Port in Greece edit is the best (i.e. watched it more than once) trip edit that’s dropped during 2018’s Winter Getaway Footage Dump Season (yes, I know Australia is in the southern hemisphere.) It’s always nice to learn of some nice new songs in a skate edit too :)
“That’s what I keep telling myself, ‘maybe in ten more years.’ Those ten years go by and I’m still not ready. Actually, I’ve come to terms with it, this is it.” Skate Jawn interviews productivity legend, Dave Caddo.
“In a Warhol-esque version of a future skate industry where 1% of pros earn lavish salaries and the rest ball for position, will everyone have their own brand, with price-points scaling higher in accordance with gnarliness and footage releases?” Boil the Ocean on pros’ t-shirt ventures, and the cult of Jerry Hsu’s Sci-Fi Fantasy brand.
Even if it is in the Times + includes the phrases “daredevils” and “neoliberal training grounds,” Jeff Ihaza’s feature on how skateparks came to be understood, accepted, and built passes the litmus test of linkable traditional news outlet skate coverage.
While the Times may think we “won,” we also lost one of the best ledges in lower Manhattan this past week. The deknobbed ledge at Seaport that was more-or-less a go over the past year-plus is now knobbed not only for grinds, but for manuals too!
Normally don’t care about “oh, so-and-so already skated to that song”-isms — especially in this fickle footage economy — but “Blowing Up Fast” holds a special place in many hearts. This guy does a line at Three Up Three Down, hypes up P-Rod, and has never seen Baker Has a Deathwish, which is totally fine because it’s almost ten-years-old now goddamn.