The best bits of skate content from the past week are Peter Sidlauskas’ dives into skate spot lore of yesteryear, specifically spots that have fallen into the ashes of time via redevelopment: L train roof bank, the Wythe Street ledge, and of course, the Autumn Bowl.
The youngs rip, man. “Looking To Be” is a ten-minute video by Chris Argueta featuring the new gen stacking in New York. All NY clips, with Three Up Three Down continuing to endure as New York’s greatest skate spot, generation after generation.
Hearing anecdotal reports about certain friends saying “Wait …they had stunt doubles?” is incredibly concerning Quartersnacks for Converse available now in the webstore and skateshops worldwide. We kept the free shipping deal on there for now. Fuck it we ball, you save ¯\_(ツ)_/¯ Thanks to everyone for supporting QS
Paul Young’s new video, Down By Law, premieres at Nitehawk Cinema in Williamsburg this Thursday, March 7 @ 7:30 P.M. Flyer here. Teaser here.
Sushi and shampoo in the latest episode of skateboarding’s greatest #lifestyle series: Brian O’Dwyer stars in the new Skate Jawn “$100 Chill.” Never seen someone spend only 12 bucks so deep into an episode.
“[The Muni benches] were going to get sent it to a yard where they grind up concrete and granite, but we were able to save them. They stacked them up one day and they had left a pallet jack out, so we used it to move it into another area with some smooth ground…So we saved six benches in total and they’re currently in a storage unit.” Brian Panebianco has a new interview with Heckride.
It’s grey out there, so here’s the clip of Muska hugging a tree to put a smile on your face (it’s tied with this video of like a 500 people rapping every single word to Glizzy’s verse on “Crew” for 2017’s best byte of life-affirming video.) It was a pleasure to watch this new season of Epicly Later’d — Andy Roy defending Jesse Paez was funnier than any bit of scripted comedy that someone could come up with, and if your heart didn’t melt at Reynolds’ relationship with his daughter and Kader, then your insides probably look like the Juicy J “Stay Fly” shirt.
“Can human achievement in general surpass Chewy Cannon’s bank-to-ledge nosegrind or can we only hope to match it?” With the completion of the endlessly postponed, all-London Palace video, Boil the Ocean dwells on the post-2010 tide shifts that have occurred in the British skateboard industry.
This Detroit edit is rad. It chronicles the recent history of all its spots via an overview of changing Google Street Views. Also, it made Detroit look funner to skate (at least for our purposes) than a lot of recent higher profile coverage to come out of there.
“Electricity acts like a skateboarder traveling down a ramp. The higher the ramp, the more potential energy they have and the further they can travel.” See: Skateboarding as a vessel to teach how electricity works.
I’m good on hearing a 2017 Wu-Tang album, but there’s something endearing about them recently trending as song concept shortcuts for artists who are half their age.
Can’t tell what happened with this and why it is only going online now — as it was supposed to come out, like, literally four or five years ago (maybe they just waited for angst to start trending again) — but Death Video is now online in full. Features much, much younger versions of Tyshawn, Kempsey, Troy, etc.
With the potential end of Muni looming in the future, this was fun to watch (although admittedly, it is nowhere near as good the Big Three of Philadelphia skate spots) — The guys from Municipal Skateboards filmed a montage exclusively at the Philadelphia Museum of Art a.k.a. the Rocky steps.
The B.Q.E. Lot is set to be renovated by the D.O.T. at the start of next year, and it’s going to look exactly like that shitty space around the Flatiron Building with sandpaper ground and random rocks everywhere. Can’t we just get a ledge?
“Does all this mean that New York is vanishing? Sure. But the deli wasn’t there forever, either. Vanishing is what New York does.” Roctakon’s brother wrote a rad thing about revisiting the Brooklyn delis that he had photographed back in 2008.
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