It’s rare that a skate video is so clearly evocative of the time in which it was made. There’s a sense of pandemic emptiness that runs through Terminal, Deep Dish’s latest video, nearly all shot in 2020.
Mark Dunning, lead filmer and editor of the Deep Dish series — now up to eight titles — says one of the reasons he makes videos is to shine a light on Chicago skateboarding, because he says it doesn’t get the attention it deserves. He also says he’d long sought a particular shot of Chicago, showing it as “deserted or forgotten,” something which he says that he finally achieved in Terminal. Perhaps that purposeful emptiness was heightened by the past year.
It was under COVID-19 conditions that Dunning, a year ago living in New York City, says he made his way back to his hometown Chicago. With rumors of New York going into lockdown and the uncertainty behind it, he says he and his girlfriend packed their car and drove west, thinking they’d work remotely for a week before heading back.
Adrian Vega via Giovanni Reda. This photo really does justice to how gnar tricks on this bank are.
Zach Moore (director of last summer’s remix blockbuster, “Jake Johnson: The Movie“) is front-running for delivering 2021’s best laughs so far. A) “The Ultimate Skate Songs Collection” envisions skate videos’ most iconic music in the format of a late-night TV commercial for a CD box set. The plot twist in this one is so brilliant. B) “A Caption To Die For” pays tribute to Thrasher‘s often absurd video captions in the form of old-timey newspapermen by way of classic Hollywood film noir. Give Zach Moore his skate Oscar.
September 9th, 2019 · 12:00 amComments Off on Saved
2014. Photo by Emilio Cuilan.
Truly elated that we can begin a Monday Links round-up as we close out the summer without a link to a petition ♥ There’ll definitely be some formal news coverage of the day — which turned into a T.F. reunion rather than a rally — but caught this slideshow from Eric Cruz on IG earlier if you’re looking for pics. We should do a T.F. reunion the Saturday after every Labor Day every year, no? Like Bastille Day, but for Tompkins.
Manuel Schenck has a new all-Parisian edit for Supreme to commemorate their upcoming Nike SB Air Force 2. Features Nik Stain (!!!), Vince, Sage, Sean, K.B., Kyron Davis and Koston returning to gap skating at my favorite spot in the world.
“But even in his most powerful Diamond t-shirt, Chaz Ortiz can’t carry 2.7 million souls on his back alone.” Boil the Ocean reviews Realm, the latest video from Chicago’s Deep Dish crew, which came out last month.
Tennyson Corporation put together every appearance Rick Howard and Mike Carroll ever had in an issue of 411to a four-song mega mix.
C.J. Keossaian, Sean Dahlberg, Hugo Boserup, Andrew Wilson, Nik Stain and John Choi traveled to the Westerly and Groton skateparks in Connecticut, and came back with “Jet Fueled Hog.” We did that once. Good times.
Frontside 5050 to nosemanual is maybe the last trick anyone expected to see on Pyramid Ledges from that period where the one side was unknobbed.
In honor of #NYFW, and given the free time available in their Boston-based, #FW-lacking headquarters, SMLTalk ran down the five most iconic Muska phases. The Muska’s sometimes bearded, #drk #fshn incarnation of today is not represented. Less sophisticated fashion editors may group this with the “Raver” phase, but we all know they are two different things entirely, albeit natural progressions from one another.
Not exactly the worst use of skateboarding in a music video, though the bar is remarkably low. B.A. skating in any shape, form or fashion is unobjectionable. Also, where exactly is this basketball court in the middle of the projects where every player is blonde-haired and blue-eyed? Did Dirk buy Smith Houses for his nephews?