#TRENDWATCH2015: Full Spring Report

polo hats

Spring is here, the ladies r looking sexy and the footage is more fashionable than ever. Our Fashion Desk observes some of S/S 15’s most notable developments.

Sending a Photo of the Polo Hat Rack at Macy’s to Your Company’s Headwear Designer as a Reference Image

What’s going on in the embroidery industry? Is there any explanation for why the average embroidery size on a hat in 2015 cannot exceed 3/4ths of an inch in height? How much of a testament is it to the Lifshitz legacy that nearly fifty years later, skateboard companies are clawing over each other to outdo Ralph’s masterful simplicity? Why is Jadakiss as hard as it gets? Why is @dropolo the most underrated? Why you gotta do me like that?

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‘What Is Dime?’ — An Interview With Antoine Asselin & Phil Lavoie

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This originally appeared in Dank Skate Mag issue number 8. We felt this was worth sharing online, given the slim chance that you have difficulty obtaining Norwegian skateboard magazines where you live.

Dime is one of the greatest “things” in skateboarding. I say “things” because even they don’t exactly know what they are. A brand, a crew, a series of videos, something? Being funny is hard enough, but being a funny skate crew — without falling into the same overused tropes of weed and dick humor as every other skater on Instagram — is impossible. These dudes somehow figured it out, all while embracing the relative invisibility of Canadians in skateboarding.

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What is Dime?

Phil: It’s a bit different than what it started out as. Now, it’s a brand, but it became one accidentally. At first it was a crew, and we just skated together and made videos.

Antoine: It started as a shitty website that we never updated. We were fifteen-years-old, just posting shitty web clips. We started making full-lengths and it grew from there.

P: We sell some clothes, but it’s not really a clothing brand or a skate video brand. Everything we make is just for fun.

It’s kind of a good era with the internet and all to have the luxury of not knowing what you’re doing.

A: We’re not too sure what it is ourselves. We’re just going with the flow. I think people like not knowing what it is.

P: It’s nice being able to do whatever you want whenever you want. Whenever we have a good idea, we do it. Real clothing companies have timed fall drops, and we’re completely lost on that. We’re trying to learn everything as we go along.

Alexis Lacroix in the back: No definition, no limits.

P: Our goal is to skate. Anything to keep us around skateboarding. That’s what we like to do. I’m never going to become a professional skateboarder, so I might as well make something I want to do in skateboarding. Antoine makes money off his sponsors and all, but I quit my job to focus on Dime.

So, the goal of Dime is to keep you dudes from having real jobs for as long as possible?

A: To us, it’s not work. Now, we have clothing in stores, so we have to be more on point, but it doesn’t feel like work. We want to do this.

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‘Where’s My Morning Paper?’

canada

Went up to Canada for the holiday weekend, hence Monday Links are, um, “going up” on a Tuesday :( As you may tell from the photo above, it did not go great.

Josh Stewart remixed Kevin Tierney’s Static IV part with some alternate angles, different tricks, and a new song. Try and find a recent New York-based part where someone skates an old spot in a new way as many times as Kev does. One of the best and most original parts of the year, for sure.

“We’ll start this off with the big question: Is Gino Iannucci now on Fucking Awesome?”
Next question.”

The transaction resembled Tumblr acquiring AOL, or perhaps Bronze Hardwares absorbing Prodigy [the rapper and / or the web portal.]” Also, BTO late pass: Why Ryan Gallant’s Transworld cover is a victory for everyone.

Obviously this piece was meant to highlight more sophisticated maneuvers, but how exactly could one “appreciate” the Chinese ollie without mentioning Ben Sanchez?

A Javier Sarmiento part filmed in maybe two days with bad editing and filming worse than what’s expected of a Quartersnacks clip is still better than pretty much anything. Dude’s going to be 50 one day, still looking cooler than anyone on a skateboard.

Ripped Laces put together a #listicle of the best pedestrian v.s. skateboarder interactions from skate videos. “That’s why you should skate in the street: to meet weirdos.” That rationale has also been used to justify riding MTA trains, but the frustrations might outweigh the entertainment.

Well, now we know that Bobby Shmurda’s rise to stardom will coincide with a plethora of applicable #musicsupervision choices for Bobby Worrest re-edits. Also, here’s some B-side clips of Bobby from the 2000s, several of which look unfamiliar.

The Chocolate team stops by Astor Place and the L.E.S. park on their “20 Years” tour. FYI: The Astor Place construction that has been “imminent” for more than five years is starting to look like a reality.

Here’s Joseph Delgado’s part from OD WAVY and Brandon Girona’s part from PFP3.

Throwaway reel from John Valenti with some chill Brendan Carroll footage.

Jim Hodgson remixed his In Absentia Newport footage if you weren’t into our version.

QS Sports Desk Preseason Play of the Week: Oh Nate, it’s great to have you back. JaVale on the bench is another welcome sight.

Quote of the Week: “Being loud and obnoxious doesn’t get you ahead in life. Most of the time, it sets you back. Actually, all of the time.” — Andre Page

I thought Columbus was the hero of America?”

In Front of These Delis Eating Cannolis

Lurker “The Guy Who Ruined Skateboarding” Lou crooked grinds a flatscreen. (Related: Kevin Tierney 5-0ed a tube TV last year.) Photo via Zered Bassett’s Instagram.

T.F. Report: Labor Skateshop’s recent gift to the Tompkins community has temporarily been re-located to Avenue D for unknown reasons.

“Just like skaters, tennis dudes obsess over the most minute details of their ‘setups,’ like the type of nylon with which they string their racquets, the tape with which they grip their handles, shoes, all that shit.” — Frozen in Carbonite with a Freudian shoe review of the Nike SB Challenge Court that expands on skate/tennis parallels mentioned by Gino Iannucci, among other things.

There is a Torey Goodall interview in the new issue of Grey Skate Mag.

Yes! Skateboarding gets it right! November 19: A Twitter inquiry is made as to whether or not someone has skated to Ginuwine / Timbaland’s “Pony,” in expectance of an obvious “No.” November 23: The winner of a Manny Santiago re-edit contest coincidentally re-edits his part to…Ginuwine, “Pony.” Thank you David Jojola.

The New York Times profiled Supreme last week. They predictably chose an awful headliner photo. Also related: Have you guys heard about Supreme’s collaboration with Apple? Their limited run of custom MacBooks start at $999,995.

What a horrible last name.

Some young’ns up in Vancouver and Calgary made a sick twenty-minute skate video entitled “Serenity Now.” Even QS has yet to a reach a point where clips are edited to Tyga. “You never could compete with Lloyd Braun!”

“Summer in New York” clips continue emerge even with nightly lows below thirty degrees. “Escape From New York” comes complete with a brief Snake Plissken nod. (There is no reason why Roc Marciano shouldn’t join Big L and Jeru the Damaja in the ranks of go-to music to edit New York skate clips to. “Paid for the necklace and ate breakfast.”)

New footage from the Jersey City rink spot that looks old due to #VHS.

The Muska is back on the board. Well, sort of. Will club scenes in skate clips be a part of #trendwatch2013?

Quote of the Week: “White folks don’t know about Peanut Chews. That’s candy for old black men. My father and his father ate those. Y’all [white people] just have Hersey Kisses in your houses.” — Josh Velez

QS Sports Desk Play of the Week: JAAAVVVAAALLLEEE MMMCCCGGGEEE!!! (And Kenneth Faried and Andre Miller and Corey Brewer.)


Pretty Sweet DVDs supposedly come out tomorrow. Anyone have info on which shops will have copies? (Miss you, Autumn.)