Mega relevant to a certain segment of our readers and anyone who has appeared in a B.S.A. Boys video: the northern zone of McCarren Park adjacent to the bathrooms, known to many as “The Couch,” is slated to be renovated into a restaurant next year.
Marcus Pulvermacher made a fourteen-minute edit from summer 2019 that includes a ton of bro cam clips of Genny and Caleb. Fun vibe to start a 55-degree Monday in February…
Genny is making edits again! His latest features some bro cam + a bunch of alternate angles from a handful of more proper projects released over the past twelve months. It ends with a sick iPhone slo mo of T.J’s fakie flip over Bond Street, which is basically just a barometer for believing anything done on a skateboard from now on, e.g. “Can you believe so-and-so did that?” “Well, T.J. fakie flipped Bond Street, so yeah.”
Quintessence is a new video from Sam Mccormick that was filmed from 2013 to 2019, and features an overview of every piece of New York crust or diamond-plate that was sought after in each of those years, kinda on a Now That’s What I Call Cellar Doors 2015 vibe. Includes full parts from Joseph Delgado and Neil Herrick at the end. (Jackmauh is a sick last name, btw.)
Lurker Lou is having an art show for his “Purple Shoe Lou” project this Saturday, May 4. 269 Humboldt Street. (Grand Street L train…does that thing run on weekends rn?) 7-10 P.M. Flyer here.
QS Sports Desk Play of the Week:C’mon. We’re sympathetic to the Thunder’s plight in that its oddly reminiscent of the “good” Knicks teams from earlier in the 2010s (moreso now in the Russ-only era…not the whole “drafting three MVPS and only having one left” thing), and we’re obvs massive Russ fans at the QS Sports Desk, but Dame’s shot was one of the most iconic playoff moments in any of our lifetimes. And apparently Portland-based skate filmer, Tristan Brillanceau-Lewis, who put out Portland Public Skating 2 last summer, in addition to a bunch of other videos, shot this close-up angle of Lillard’s game winner.
Quote of the Week: “This drink tastes like melted Spongebob ice cream.” — E.J.
Hearing there was a “b sides” Jay-Z concert at the re-opened Webster Hall the other night made me want to track this part down, so here it is. Zered pretty much has the two best Jay-Z song parts, and both are for “b-sides” (“Lobster & Shrimp” had a video and everything, but that shit is buried in the pile.)
The good news is we finally switched over to a circa 2018 design that’s mobile compatible, etc. Hopefully it’s not a Crailtap-getting-rid-of-the-iframes shock to the system, because let’s be honest: it basically looks the same, just moderne. We purged a couple spots that have been gone long enough for people to forget about, cleaned up some shit around the pages, etc. If anything seems to not be working properly, feel free to drop us a line.
The bad news is we are still amidst the same general skate internet content slump we have been experiencing all month. Nearly nothing happened last week…
On the off chance that you didn’t catch it, Jawn Gardner continues his streak of being one of the most contagiously good vibed skaters to watch in 2018, via his DC Streetsweeper raw files. That A/C contraption he made is nuts…
Gunes’ new FTC part is up there with John’s raw files as what got ran back the most at the office last week. Shout out to everyone who looks like they’re having fun while being really good at skateboarding.
Don’t know much about this one, but “Long Shots & Low Odds” is a ~moody~ seven-minute New York video from Canon Hastings featuring all your New York 2018 dietary staples (wallies, .T.F., a pit stop at the Grand Street courts) + a stubborn commitment to skating those red double cellar doors next to Motorino.
“The big underground music in America is like house and dance stuff, based on what I see in the shop, and that’s what skaters are buying. When I was getting into deep underground hip-hop growing up, the only other kids listening to it were skaters. Like, you guys know Hieroglyphics? Why? ‘Oh, it was on the blah blah blah VHS.'” This link actually has nothing to do with skating, but is an insightful conversation on how people consume music (particularly rap) in 2018, and a reminder that it’s ok to not have an opinion on some stuff!
Quote of the Week: “If you’re having fun, chances are, you’re breaking at least one law.” — Conor
2015’s version of skateboard literature’s longest running summer wrap-up is here: Dubai or Not Dubai – Frozen in Carbonite’s S.O.T.S. x P.O.T.S. post. “Indeed, using the most powerful communication medium of our time—Instagram—as a yardstick, following the most popular thirst trap accounts down an Instagram wormhole leads to a dark place where every comment is either in a foreign alphabet or ‘Come to Dubai.'” (P.S. Who the HELL is responsible for deleting that Tiago Lemos We Are Blood remix from FB? Someone please re-upload it. P.P.S. “Stick Talk” > “I Serve the Base” for Tiago maybe. P.P.P.S. Can confirm Future cuts the music off and puts his thumb in the air after the “I ain’t got no manners…”-part when performing “Stick Talk.”)
Most of my friends rocked the Staples way heavier as far as Lakais went, but there was definitely a later cult around the Manchesters. SMLTalk has a requiem for maybe the last Lakai shoe to make an imprint in the skate footwear landscape.
“In terms of visibility and reach, the Thrasher part gives the skater the prime-time spot, and to have one of these nowadays is almost like being a contestant on America’s Got Talent that made it to the next round. Everyone gets to see your part for that day, but next week there’s a whole other round of contestants to replace you.” SMLTalk with a funny one about the most awfully titled Thrasher parts. “The Raybourn Identity” is insane, though we called something “Djosh Unchained” before, so…
Here are the TWO winners of the Jason Byoun remix contest. Considering both of them incited equal amounts of laughter, it wasn’t fair to just let one win. Check your emails. Make sure to watch the first one through the end :)
Quote of the Week: “Fetty Wap is like Willie Nelson.” — Corey Rubin