A wider net for skate interviews this past week than the typical guys talking about their first sponsor type of thing — 1)The Wall Street Journalinterviewed Beatrice Domond. There’s a pay-wall involved, but it seems like they let you rock on one free article. 2) “I just really like New York.” Elissa Steamer interviewed Alexis Sablone for Thrasher. 3)Skateisminterviewed Forrest Kirby, in what I believe is his first interview since he publicly came out last year.
Summer QS stuff available in all of our domestic, Euro, Japan + Korea accounts now. (Eastern Canada has it, western Canada should be getting everything this week.) Our webstore goes live today at 11 A.M. Eastern Standard Time.
“Bills 3 Late Fee” is the new video from Angel Foseca and the crew up in The Bronx. Always a pleasure watching these videos that look and feel way different than so much of the other stuff coming out of the city.
If your heart doesn’t melt watching this… well, I don’t even know — Diego Meek (Dr. Scarecrow, et al.) put together a six-minute mini-doc about Skate After School, a program serving eight low-income elementary schools. “I painted it myself!” If you want a PSA about skateboarding at its purest and absolute best, this is it.
Gang Corp is an organically formed group of friends, born of their love for skating and curiosity for the world, and aided by social media — but not governed by it. Fort Greene native Naquan Rollings just released their second full-length video, Black Business, which is their best yet. We hit him up to try and get some insight into the ingredients and process behind Gang Corp doing what they do.
Where are you from, and how old are you?
I was born in Fort Greene, Brooklyn. I actually just moved — I live in East New York now. I’ve lived in Brooklyn my whole life. I turned 21 last September. I’m getting old super fast. I still feel like I’m 18.
When did you start skating?
That’s always a weird question that I can never really answer. I remember when I was around 10 years old, I had a board but didn’t take it seriously. If it wasn’t for my sister, I don’t know if I would’ve gotten into it. She’s 10 years older than me. When she was in school, she knew about Supreme and all that stuff. She kind of put me on, I guess you can say.
She always wanted a skateboard and my grandma ended up getting her one of those fake ones from Target. I would just ride around on it. I thought I was never gonna try all that trick shit, but I guess the more I was on it, the more I wanted to. I would start meeting people around Fort Greene who skated. I lived right across the street from the park, so anytime people came to skate it, I would hear it from my window, then would go outside and check it out.
Just got back from Greece, so maybe there’s a heightened awareness thing going on, but it kinda seems like ~going to Greece~ is becoming more ofa moment now that a second generation of Americans has successfully re-done the entire list of ABDs from the 2000s at the Le Dome double-set ;) ANYWAY! You should watch the new sixteen-minute edit from our Greek friends at Screw Loose Fastening Co. to break you out of the République / Southbank / Barcelona / etc. European content spiral. It looks different, and is a lot of fun.
“The history of skateboarding is the history of the built environment, and of the ruins left by overreach.” Here’s a really rad photo essay about how hill-heavy condo developments in North Carolina that were left all but abandoned by the Great Recession have become ripe for skateboarding.
“Places are all very different but also the same, right? A lot of it is what you carry around in your head.” Big past week for Jacob Harris on the ol’ non-Thrasher, non-Instagram skateboard content circuit: Atlantic Drift’s auteur talks to the Slam City Skates blog about his process and how Las Vegas is kinda the same as London at the end of the day ♥
How insane is it that the two French skate spots most recognizable to Americans have simply been, like, renovated and restored to brand new condition over the past twelve months? There’s actually this cool place by the Brooklyn Bridge that could use a similar treatment, but that probably makes too much sense, right? :(
QS Sports Desk Play of the Week: Enjoy Giannis in these cute early years before you have to get used to him breaking your team’s heart for the next ~decade are so.
Quote of the Week: “The Sombrero is the only spot in New York that isn’t a bust.” — Cyrus Bennett
“Jake Phelps surely embodied worlds in decline: Old San Francisco, famously non-PC, MJ1s on his feet until whatever deadstock tap ran dry, proofing a decades-old print publication with a snarling discontent any seasoned editor would recognize and respect. An artifact arguing and cussing every day for a place in a world moving some other way.” Unfortunate to link their way two weeks in a row for obituary purposes, but Boil Ocean has a way with them words.
“Though I would sometimes cross the street to avoid him, I can remember so much of what he said to me.” Patrick O’Dell also wrote a thing about Phelps over on Vice.
And here is a re-link to Willy Staley’s California Sunday profile of Phelps that originally ran in 2016, A.K.A. what BTO labeled as “secular-press skate piece top five.” Would be *so* open to a conversation about what the other four are ;)
Munchies has a mini doc on the institution that has sustained New York skateboarding like none other throughout the 2010s — of course, we’re talking about 2 Bros. They also bring up a terrifying reality re: the ten-year leases that got signed at the start of the decade ending (e.g. when everyone was still reeling from the recession), and the dollar slice soon becoming a thing of the past.
“I think the mainstream American skateboarding culture is kidding itself. They’re really dismissive of emotions in a way that is hurting itself. It’s becoming more and more inline with traditional athleticism, but also what is acceptable as a skateboarder is so narrow – you have to be cool, not talk about your feelings.” If you’re one of those idiots like me who put off watching Minding the Gap for months, here’s another motivator: Skateism put their interview with director Bing Liu online. Yeah, you need to enter your card details, but a Hulu trial to watch it is free, and you can cancel the second you finish the movie — provided you’re not destroyed for the rest of the day.