📷 Photo by Anthony Acosta
If you watch Pedro’s two-minute iPhone part that Thrasher posted a few days ago, it’s hard not to wonder what inspires his eye for spots (and to continue putting his back through those slams.) Turns out the answer — like for so many others — is old Grant Taylor and Cardiel parts ❤️
📷 Photo by Anthony Acosta
When we ran the Wes Kremer edition last month, the headline photo was of Wes chilling with Nick, which naturally lead to the question: how the hell have we not asked Nick to do one of these before?
📷 All photography by Anthony Acosta
We had a plan to go to Argentina in May of 2020.
Around the time that the planning stage would’ve begun, some …things happened.
When those “things” got less intense, we hit Majorca instead.
After that, it was back to the drawing board: Argentina, for nothing.
Interview by Farran Golding
Collages by Requiem For A Screen
Original Photography by Anthony Acosta
The amount of people who have been able to pull off skate careers spanning over two decades is low. And in the skateboard-content-creation biz, we often fall on this assumption that these skaters have answered all the questions already, e.g. what can you truly unpack that Chromeball hasn’t?
But that’s false. Because the reason this group has been able to endure through the years is their prolific adaptability. The perspective of someone at the start of their third decade of a skate career is even different than it was when they were headed toward the latter half of decade two.
With A.V.E. on the horn for the “Favorite Spot” segment (thanks everybody for the kind feedback, by the way), not digging a bit deeper felt like a missed opportunity. Farran spoke to him on where his perspective on this thing called “professional skateboarding” stands today, entrenched in the third decade of doing it.
Interview & Video Edit by Farran Golding
Collages by Requiem For A Screen
Original Photography by Anthony Acosta
Even in the avalanche of daily skate videos, you can always distinguish the parts that had a little more tact put behind them from the ones that are footage dumps. Gilbert Crockett has been releasing thoughtful video parts for over a decade — many of which are largely filmed in his hometown of Richmond, Virginia by childhood friend, Will Rosenstock — and all of them are distinguishable from one another.
Having just opened up Greg Hunt’s Alright Ok for skateboarding’s de facto Oscars season, we had Farran reach out to Gilbert to speak on his process, and how it all works, often without having to go very far.
We also have a special bonus video of Gilbert’s footage from SunTrust and the surrounding downtown Richmond spots with commentary, all courtesy of Will’s archive ♥
