Introducing…The Quartersnacks One-Spot Part Map

A week away from the first Olympics to feature skateboarding, you will no-doubt see mainstream publications taking a “global” lens through which to view the Games’ new inclusion. To anyone who actually skateboards …it’s like, “yeah, no shit.”

But it’s not because we are all aware of some nebulous concept of who the “best” skater from Brazil, Sweden or Japan is. Given the sprawling worldwide growth of skateboarding that has accelerated alongside the internet, we can now know who the “best” skater of a literal acre or two of city land in some Scandinavian country is. We know the architectural intricacies of completely arbitrary train stations across the globe. Give me a Pantone book, and I’ll show you the color scheme of Tennessee’s capital building because of one guy’s skate footage. Have I been to Tennessee? No, not yet!

A one-spot part is a way to deify one’s name alongside a place, but not in a championship or gold medal sense. It is more Kobe’s 61 points at MSG than it is a title. It is a story. Better yet, it’s mythology: “So-and-so only filmed at this city block for a year and figured out ten new ways to skate it.”

Keep Reading »

Lousy Smarch Weather

E.J. with 2018 gang by Keith Denley

Johnny Wilson chatted with Heckride about some of the backstories behind John’s Vid, and the virtues of not building public anticipation to an upcoming project.

“[Keith] saw that we had skateboards and asked if we wanted to skate his ‘run.’ This ‘run’ was a planned-out continuous route of spots he’d hit on a daily basis. You had to skate it fast and without stopping because there was traffic, open businesses, pedestrians and security guards — who knew Keith would be pushing through at some point after 3 P.M. when school was out.” Thrasher has an incredible retrospective feature that recounts stories from many of Huf’s closest friends.

Keep Reading »

QS Film School — An Intro To Modern Skate Videos With Plots

In Boogie Nights, Paul Thomas Anderson’s film about the porn industry of the 70s and 80s, Burt Reynolds’ Jack Horner gives a fateful speech admonishing the advent of home video: “I have a stable of actors and actresses. They’re professionals. They’re not a bunch of fucking amateurs. They’re proven in the box office. They get people in theaters, where films should be seen, and they know how to fuck.”

It is not hard to imagine similar tirades (maybe with a few words switched out) occurring in Powell-Peralta boardrooms as the 80s were coming to a close, and skateboarding was around the corner from a crash. Skate videos of the decade were refined and narrative-driven, and for good reason. There were only like, six tricks invented at the time, so they had to fill up those other 53 minutes in an hour-long skate video with story, personality shots and other shit.

But what would come after skateboarding’s believed-to-be demise was a rebirth. Videos like Snuff, Video Days, Tim & Henry’s Pack of Lies, and Questionable were unrepentant in their progression — they were too busy inventing modern skateboarding in front of your eyes to worry about the extracurricular malarky from the Animal Chin days. New faces and a camera thrown in a backpack was the name of the game. The old mode was dead. But for how long?

Skateboarding draws many parallels to pornography, but one of the most curious ones is an incessant need to add narrative to something that nobody watches for the story. As we will soon learn, plots returned to skate videos as quickly as they went.

Keep Reading »

Have A Bagel Alright Guy

The Quasi video is now online.

“What’s the story behind Harold’s ‘Cheer Up, Bagel’ remark?” We finally learn the origin of the greatest sound byte in skate video history (“sometimes I wanna live and sometimes I wanna die” is runner-up) via Chrome Ball’s new interview with Dan Wolfe.

I C Y M I.

“The production numbers were so large that when I was on a solo trip to Korea tasked with moving production from one factory to the next, during a business dinner at a 5 star restaurant with the factory owner, I was told through a translator that, ‘The factory owner would like to inform you, that he can kill a man in this country and their body will never be found so you might want to change your decisions too.’” — Anthony “The Writer” Pappalardo tracks down the history behind the Osiris D3 with its designer.

Though he let up on the gas a bit since he got robbed for S.O.T.Y. by the third #big #rail #skater to get it in the past three years, Village Psychic offers up a mid-year remix video of Tiago’s stray bits of coverage to emerge these past seven months.

Jahmal Williams’ favorite skateboarder is Ray Barbee

Kyota remixed his part from Bot Video 2. Watch the full video here.

Rory Milanes = the new Chad Muska, and Thrasher posted their Palace in Hawaii article and photos online.

“Think of this magazine as a platform for you — yes, you! — to showcase what it is you do for skateboarding. Wherever you are. Whoever you are. Because as you’ll see here, skateboarding can really be anything you want it to be. It’s just a fucking toy after all.” Vice has an interview with the creators of Skateism, a magazine focused on nontraditional and underrepresented corners of the skateboard universe.

J.B. Gillett returns to San Francisco and Embarcadero for the first time since moving there all the way from France at the age of sixteen.

Jenkem runs down the history of Blubba with R.B. Umali and Steve R.

Hot take: midtown night footage looks better than 99% of cellar door footage.

Skate Muzik interviewed Mike Gigliotti from Lottie’s Skateshop in their latest episode.

You most likely caught it already, but Tao put together a southwest U.S. edit with Cyrus, Max, et al. for Nike SB, and I’ve had that Sunday night at Sway song stuck in my head all week.

Quote of the Week: “If it starts snowing tomorrow, I’m not even mad. Summer 18 has to end, g.” — Will Marshall

In an age of tuning out pre-roll commercials before skate parts, this line and song are still burned in everyone’s brain — it’s The Chocolate Commercial™, after all. The word “timeless” gets thrown around a lot, but it is hard to imagine this ever looking dated.

Happy Rihanna’s Birthday Eve!

Today is Washington’s birthday, but the queen’s 30th is tomorrow! We are going to stick to a Rihanna’s 30th resolution of no more late Monday Links posts! Ain’t none of us perfect, I hope it was worth it.

Zered Bassett’s seafood tower cruiser will be available on Alltimers.com tomorrow. They shot a quick Insta commercial for it, which you can watch here.

Jesse Alba has a chill new iPhone edit up with footage from the past couple months.

30 seconds new Gino footage from the Astoria Park and Roslyn Banks.

QS-office fave, Dave Caddo, has been been posting some outer borough gems on IG.

Somehow missed this one when it went live just over a week ago: Nick Michel, the dude who boardslid the double-rail across from the mini double-sets at Battery Park (#QSTOP10, a few weeks back) has an amazing new part up on Thrasher, which features the VX angle of trick in question plus a trick at the ride-on rail spot that’s not on the ride-on rail! Battery Park MVP 2k18.

Didn’t even know this was in the works — TWS made a documentary about Skateboarder magazine, which was the first ever skate mag. The “trailer” basically plays like the first seven minutes of the doc itself.

Muska tells the story of when him at Stevie Williams hung out with Michael Jackson at Neverland. (“C’mon man, this kid is ten years old — he don’t remember Thriller. ‘the fuck you wanna meet Michael Jackson for?”)

Mark Gonzales skates Owl’s Head Park with R.B. Umali for a Pro-Tec commercial.

Ten Person Crew Unanimously Disagrees on Meet-Up Spot.” Forever #mood.

Two more Stop Fakin’ 3 parts: D.C. Streets montage + Kevin Augustine’s part.

Old clip, new upload…Orchard’s day trip around New York for 2014’s All City Showdown to a Steely Dan classic.

Boil the Ocean has a weird one about skaters investing in things and animal enslavement. 2018 is odd.

The Bunt is back with a new Chima episode.

QS Sports Desk Play of the Week: J.R. Smith with a beautiful full-court…pass?

Quote of the Week: “Do you think we’d be more into Takeshi 69 if we still skated the back of Union Square?” — Pryce Holmes