Summer QS stuff available in all of our domestic, Euro, Japan + Korea accounts now. (Eastern Canada has it, western Canada should be getting everything this week.) Our webstore goes live today at 11 A.M. Eastern Standard Time.
“Bills 3 Late Fee” is the new video from Angel Foseca and the crew up in The Bronx. Always a pleasure watching these videos that look and feel way different than so much of the other stuff coming out of the city.
If your heart doesn’t melt watching this… well, I don’t even know — Diego Meek (Dr. Scarecrow, et al.) put together a six-minute mini-doc about Skate After School, a program serving eight low-income elementary schools. “I painted it myself!” If you want a PSA about skateboarding at its purest and absolute best, this is it.
“Jake Phelps surely embodied worlds in decline: Old San Francisco, famously non-PC, MJ1s on his feet until whatever deadstock tap ran dry, proofing a decades-old print publication with a snarling discontent any seasoned editor would recognize and respect. An artifact arguing and cussing every day for a place in a world moving some other way.” Unfortunate to link their way two weeks in a row for obituary purposes, but Boil Ocean has a way with them words.
“Though I would sometimes cross the street to avoid him, I can remember so much of what he said to me.” Patrick O’Dell also wrote a thing about Phelps over on Vice.
And here is a re-link to Willy Staley’s California Sunday profile of Phelps that originally ran in 2016, A.K.A. what BTO labeled as “secular-press skate piece top five.” Would be *so* open to a conversation about what the other four are ;)
Munchies has a mini doc on the institution that has sustained New York skateboarding like none other throughout the 2010s — of course, we’re talking about 2 Bros. They also bring up a terrifying reality re: the ten-year leases that got signed at the start of the decade ending (e.g. when everyone was still reeling from the recession), and the dollar slice soon becoming a thing of the past.
“I think the mainstream American skateboarding culture is kidding itself. They’re really dismissive of emotions in a way that is hurting itself. It’s becoming more and more inline with traditional athleticism, but also what is acceptable as a skateboarder is so narrow – you have to be cool, not talk about your feelings.” If you’re one of those idiots like me who put off watching Minding the Gap for months, here’s another motivator: Skateism put their interview with director Bing Liu online. Yeah, you need to enter your card details, but a Hulu trial to watch it is free, and you can cancel the second you finish the movie — provided you’re not destroyed for the rest of the day.
“But after you’ve finished a project the best sign is if people come and actually use the space, often in ways you hadn’t envisioned in the design process. Skaters are particularly good at this.” If this were a tired and wired meme, the former would be Malmo, and the latter Tartu, Estonia ;) Jk, but you should read this interview with the woman reshaping the northeast European country’s approach to multi-faceted public space.
Hotel Blue has a new montage with a mini Juan Virues part at the end. Even after a decade of unrepentant “Summer Trip to New York” coverage at every possible spot in the Financial District, that “lump to pole” by Rector Street has to have one of the slimmest trick lists in all of Lower Manhattan. Front big spin was sick.
QS Sports Desk Play of the Week: Maybe the second time a college basketball highlight has made Play of the Week, but yeah, what else. And for a Duke player, of all things! (Idk shit about college ball, just know that we’re supposed to not like Duke because everyone I know from North Carolina is a UNC fan.)
Quote of the Week: “I’m O.D. good at nunchucks.” — Andre Page
Looks like the solid barrage of upstate New York videos is gonna keep rolling in 2019 (see #5.) The Seasons guys have a new ten-minute video on Thrasher entitled “Albany 2.5” with tons of Empire State Plaza footage, and a mini S.F. section at the end.
Wasn’t really sure what to expect from this upon click, and it thankfully ended up being smiles the whole way through ♥ Here’s a good seven minutes of Fred Gall iPhone footage at some D.I.Y. spot and a bunch of typical New Jersey crust.
Had a bunch of “wait, that spot’s been gone for years” thoughts watching this, and then realized it’s more of a remix than a new part. Either way! Any B.A. is good B.A., and Grant Yansura was nice enough to pull together a bunch of his [mainly New York] footage from SB Chronicles 3 and onward for a new-old “Slappy Seconds” edit, which includes a handful of unseen clips.
“What’s the story behind Harold’s ‘Cheer Up, Bagel’ remark?” We finally learn the origin of the greatest sound byte in skate video history (“sometimes I wanna live and sometimes I wanna die” is runner-up) via Chrome Ball’s new interview with Dan Wolfe.
“The production numbers were so large that when I was on a solo trip to Korea tasked with moving production from one factory to the next, during a business dinner at a 5 star restaurant with the factory owner, I was told through a translator that, ‘The factory owner would like to inform you, that he can kill a man in this country and their body will never be found so you might want to change your decisions too.’” — Anthony “The Writer” Pappalardo tracks down the history behind the Osiris D3 with its designer.
Though he let up on the gas a bit since he got robbed for S.O.T.Y. by the third #big #rail #skater to get it in the past three years, Village Psychic offers up a mid-year remix video of Tiago’s stray bits of coverage to emerge these past seven months.
“Think of this magazine as a platform for you — yes, you! — to showcase what it is you do for skateboarding. Wherever you are. Whoever you are. Because as you’ll see here, skateboarding can really be anything you want it to be. It’s just a fucking toy after all.” Vice has an interview with the creators of Skateism, a magazine focused on nontraditional and underrepresented corners of the skateboard universe.
In an age of tuning out pre-roll commercials before skate parts, this line and song are still burned in everyone’s brain — it’s The Chocolate Commercial™, after all. The word “timeless” gets thrown around a lot, but it is hard to imagine this ever looking dated.