Here’s an eight-minute recap of the Hardies event at Blue Park this past Friday, which includes the best angle of Tyshawn’s kickflip over the table longways thus far.
The Man Who Films spent a lot of time in Rockaway this past summer and made a fifteen-minute video entitled “Beach Genius.” Everyone knows that Rockaway isn’t the most abundant part of the city for spots, so shout out to those guys for managing to avoid all the skateparks in all but one clip. Includes a mini Phil Rodriguez section where he somehow turns one of those blue bus shelters into an actual bank. And it’s also perhaps the first time in human history that there’s been a transition from Nicki Minaj to …MF Doom. Good vibe the whole way through, and the right amount of ~different~ ♥
New Jahmal Williams footage is an honor and a privilege. Him and Steve Brandi share a jazzy seven-minute section on the occasion of Hopps’ collaboration with Converse, composed by Static auteur, Josh Stewart. It’s one of those rare videos that you just watch with a smile on your face the whole time. And shout-out to Steve Brandi for his commitment to the iconic Paine Webber benches.
“The rest of the boroughs, excluding Staten Island, have had so many regular Americans move into the neighborhoods, spreading the disease of uptight suburbanites. The average mainland American is just more concerned about the use of private and public property. Maybe I’m wrong, but I like my theory…The Bronx has Bronx hospitality, and I think the average person in the Bronx is more socially advanced.” Caddo also has an awesome follow-up interview on Thrasher that discusses the complacency of finding spots in New York, his favorite borough (guess), and more insight into his ability to film a part here full of fresh backdrops.
This is one of those videos where you think the editing is going to mellow out after the intro, but then it just stays that way for the whole time. “Lentiicular” is a montage from Carhatt-WIP, and features Roman Gonzales, Andrew Wilson, Chris Milic, et al.
“As the human attention span shrinks to rival the goldfish’s, ’tis it better, in pursuit of longevity and countercultural heft, to regularly shed teamriders every few years or hold to the original foundation of dudes as long as can be?” Boil the Ocean takes a ponder over Element and Girl’s new videos.
This is like when Kevin Durant signed with the Warriors, except Tiago Lemos might actually be better at skateboarding than Durant is at basketball, if that’s imaginable.
“Critter” is a nine-minute video of an American road trip featuring a bunch of Pass~Port guys, and has an ender section in New York.
Can’t tell where this “Mud Monsters” mini vid is based out of, and can only pick out a few Chicago and New York spots, but going to guess Texas (?) because it’s maybe the first time I heard Z-Ro in a skate clip, but also have no idea what any Texas skate spots look like, but also also also it’s a fun watch regardless ¯\_(ツ)_/¯
Calling all nerds / hoarders: Does anyone know if there’s an existing copy of the DNA Continuum DVD left on earth? Sources say that the video as a whole is whatever, but it would be nice to update the internet’s only existing copy of Jahmal’s part from the 240p upload on YouTube that is probably older than Kader.
It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.
“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥
“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.
Chief Keef making Seaside Heights boardwalk music (and him sounding the most energized he’s sounded in years on it) is one 2018’s most unheralded developments.
“Eternal Youth in Tompkins Square” is a New York Times style section feature documenting many of the new(ish) faces around T.F. these past couple years, shot by our friend Danny Weiss, with words from Ted Barrow, the skater who Jason Byoun would show his mom if she asked what skateboarding was.
“This spot is long gone. We called them ‘Chelsea Banks’ because they were on the West Side Highway in Chelsea, directly across the highway from, what is today, the Chelsea Piers Skatepark. Today this spot is a little green triangular park, but back then it was a shit show.” TWS interviewed original Zoo York co-founder, Eli Gesner, and original Shut rider, Jeremy Henderson, about filming Mark Gonzales during the first time he ever came to New York in 1987.
Calzone is Matt Velez’s sequel to Sable, due to premiere in Brooklyn on November 30th. Full parts from Mark Humienik, Nick Ferro, et al. Flyer here. Small teaser here.
Quote of the Week Observant Gentleman: “It’s crazy you ride for Polar but aren’t good at wallies.” Hjalte Halberg: “Yeah, but at least I learned no complys recently.”
It’s grey out there, so here’s the clip of Muska hugging a tree to put a smile on your face (it’s tied with this video of like a 500 people rapping every single word to Glizzy’s verse on “Crew” for 2017’s best byte of life-affirming video.) It was a pleasure to watch this new season of Epicly Later’d — Andy Roy defending Jesse Paez was funnier than any bit of scripted comedy that someone could come up with, and if your heart didn’t melt at Reynolds’ relationship with his daughter and Kader, then your insides probably look like the Juicy J “Stay Fly” shirt.
“Can human achievement in general surpass Chewy Cannon’s bank-to-ledge nosegrind or can we only hope to match it?” With the completion of the endlessly postponed, all-London Palace video, Boil the Ocean dwells on the post-2010 tide shifts that have occurred in the British skateboard industry.
This Detroit edit is rad. It chronicles the recent history of all its spots via an overview of changing Google Street Views. Also, it made Detroit look funner to skate (at least for our purposes) than a lot of recent higher profile coverage to come out of there.
“Electricity acts like a skateboarder traveling down a ramp. The higher the ramp, the more potential energy they have and the further they can travel.” See: Skateboarding as a vessel to teach how electricity works.
I’m good on hearing a 2017 Wu-Tang album, but there’s something endearing about them recently trending as song concept shortcuts for artists who are half their age.
