Summer 2020 QS goods are arriving at skate shops now. Product should be in all of our accounts in the U.S, Canada, Japan and South Korea by the end of this week at the latest, but Europe and Australia will be a lil’ late. Check your Australian and European locals in early June. Please support shops via their webstores or if any are doing curbside pick-ups for product while they remain closed in some areas. Our webstore will relaunch with summer goods on this Friday, May 22 @ 10 A.M. E.S.T. Top spread via Prov Tokyo.
Obvs no shade to anyone else out there pointing lenses at Antonio intended! “Vue” by Stephen Spilker is a rad L.A. montage that also has a good bit of clips from 2018’s GRoER of the Year. Shout out to everyone out there creating plain, old fashioned montages. Should probably start working on a QS one right about now…
When we are entrenched in a moment — a space where the skateboard media machine feels entirely focused on one full-length, one seminal part, one finicky faux pas — it feels like Nyjah Huston is just frozen in time, midway down a quadruple kink rail, just waiting for our conversation about Gustav’s foot placement to quiet down before he can resume grinding down the remaining nine kinks.
We are long past the days of skateboarding’s progression standing still until the next VHS tape comes out. Time waits for no man — and a bunch of Swedes holed up in Barcelona listening to MF Doom are no exception.
New Jahmal Williams footage is an honor and a privilege. Him and Steve Brandi share a jazzy seven-minute section on the occasion of Hopps’ collaboration with Converse, composed by Static auteur, Josh Stewart. It’s one of those rare videos that you just watch with a smile on your face the whole time. And shout-out to Steve Brandi for his commitment to the iconic Paine Webber benches.
“The rest of the boroughs, excluding Staten Island, have had so many regular Americans move into the neighborhoods, spreading the disease of uptight suburbanites. The average mainland American is just more concerned about the use of private and public property. Maybe I’m wrong, but I like my theory…The Bronx has Bronx hospitality, and I think the average person in the Bronx is more socially advanced.” Caddo also has an awesome follow-up interview on Thrasher that discusses the complacency of finding spots in New York, his favorite borough (guess), and more insight into his ability to film a part here full of fresh backdrops.
This is one of those videos where you think the editing is going to mellow out after the intro, but then it just stays that way for the whole time. “Lentiicular” is a montage from Carhatt-WIP, and features Roman Gonzales, Andrew Wilson, Chris Milic, et al.
“As the human attention span shrinks to rival the goldfish’s, ’tis it better, in pursuit of longevity and countercultural heft, to regularly shed teamriders every few years or hold to the original foundation of dudes as long as can be?” Boil the Ocean takes a ponder over Element and Girl’s new videos.
This is like when Kevin Durant signed with the Warriors, except Tiago Lemos might actually be better at skateboarding than Durant is at basketball, if that’s imaginable.
“Critter” is a nine-minute video of an American road trip featuring a bunch of Pass~Port guys, and has an ender section in New York.
Can’t tell where this “Mud Monsters” mini vid is based out of, and can only pick out a few Chicago and New York spots, but going to guess Texas (?) because it’s maybe the first time I heard Z-Ro in a skate clip, but also have no idea what any Texas skate spots look like, but also also also it’s a fun watch regardless ¯\_(ツ)_/¯
Calling all nerds / hoarders: Does anyone know if there’s an existing copy of the DNA Continuum DVD left on earth? Sources say that the video as a whole is whatever, but it would be nice to update the internet’s only existing copy of Jahmal’s part from the 240p upload on YouTube that is probably older than Kader.
Though it was not the firestorm that followed our original M.N.M.F.T.B. post — no doubt one of this website’s most controversial moments — in 2014, we caught a bit of heat for denouncing some unknown child filming his Grizzly Grip sponsor me tape for waxing the top portion of Three Up Three Down.
We were called regressive. We were told that such rhetoric ran contrary to skateboarding’s “there’s no rules!” rule. We were bullies for imposing our worldview on this coveted piece of Tribeca land. We were labeled cowards for harking back to a time when a simple trick up / trick down was “enough” for the spot.
Everyone knows that nostalgia for a fairytale version of a greater past is in the first chapter of the authoritarian handbook, and here at the QS office, we like to think of ourselves as free spirits.
People make mistakes. People change. We come here today to ask for your forgiveness. We apologize not for saying that a forty-foot-long lipslide to tailslide across Three Up Three Down would look stupid, but for side-eyeing our much more talented colleagues for enjoying a #lowimpact spot that we tried to keep for ourselves.
Three Up Three Down belongs to anyone who cares to enjoy it. Bring your Shake Junt wax and your Grizzly Grip. Put angle iron on the side. Wax the top if you want — the last thing you want to be is some guy on the line to get into heaven, talking about how your only regret in life was not powersliding across the entire top surface of Three Up Three Down because some skateboard blog told you not to.
(Obviously you’d be going to hell if you did that.)
In extension of this olive branch, we’d like to commend the Primitive team for their work at our favorite skate spot. Though it has fallen out of the coverage circuit on QS as of late, you’re maybe a bit tired of seeing Meatball kickflip up it and tre flip down it for the third year in a row. Shout out to whoever is showing P-Rod’s friends around.