It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.
“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥
“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.
Head over to
Live Mixtapes R.B. Umali’s Vimeo page to hear the full version of Zoo York’s Mixtape soundtrack with NoDJ tags no skate noises over the music.
Skate Muzik also did podcast with R.B. about how the iconic soundtrack came to be.
Theories has an abridged history of any and all spot selection trends to take course over the history of skateboarding, though they left out some dismal low-points of recent spots on this side of the planet.
Real is working on a documentary on Chicago’s Uprise Skateshop, and presumably ignoring a mountain of pitch emails from Paulgar about doing one on Autumn.
Jenkem with a lesson on pant sags and nut grabs in skate videos.
QS Sports Desk Play of the Week: NBA Champion, Nick Young.
Quote of the Week: “It’s easier to catch an octopus here than it is to get laid.” — Francesco
Chief Keef making Seaside Heights boardwalk music (and him sounding the most energized he’s sounded in years on it) is one 2018’s most unheralded developments.