‘If You See Someone At The Door With a Board, Let ‘Em In’ — A Review of ‘All the Streets Are Silent’

Words by Frozen in Carbonite
Poster Design by Order

I think it says in that book The War of Art that just sitting down and doing the thing can break down a creative block. Sometimes, a project takes on a life of its own and becomes something you never imagined. Skate videographer, Jeremy Elkin — whom you might remember from Poisonous Products and The Brodies — initially set out to make a documentary about the seminal Zoo York video, Mixtape. His research led in a more expansive direction.

More than once.

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Getting Them Royalties Dodging Them Bumblebees

It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.

“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥

“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.

Head over to Live Mixtapes R.B. Umali’s Vimeo page to hear the full version of Zoo York’s Mixtape soundtrack with NoDJ tags no skate noises over the music.

Skate Muzik also did podcast with R.B. about how the iconic soundtrack came to be.

The water sports section from Spirit Quest, where they put a condom on a VX, is now online ;) …as is Ben Gore’s hill-heavy Static IV part.

Theories has an abridged history of any and all spot selection trends to take course over the history of skateboarding, though they left out some dismal low-points of recent spots on this side of the planet.

This feels like a clip that would’ve been on 48 Blocks ten years ago. In a good way.

Real is working on a documentary on Chicago’s Uprise Skateshop, and presumably ignoring a mountain of pitch emails from Paulgar about doing one on Autumn.

Jenkem with a lesson on pant sags and nut grabs in skate videos.

QS Sports Desk Play of the Week: NBA Champion, Nick Young.

Quote of the Week: “It’s easier to catch an octopus here than it is to get laid.” — Francesco

Chief Keef making Seaside Heights boardwalk music (and him sounding the most energized he’s sounded in years on it) is one 2018’s most unheralded developments.

Ephemeral Moments — The Subway Tricks From ‘Mixtape’

Before skating in the subway was an aesthetic direction you could film a montage around, before tricks underground went viral on mainstream news sites, and before we qualified what’s been done on pieces of MTA furniture, there was Mixtape. It featured the first shot of New York subway skating ever put into a skate video.

They were six B-roll tricks dumped into a friends montage, but they’ve kept a more permanent imprint in my memory than the majority of things I’ve seen in skate videos since. I’ve never made the walk between the L and the 8th Avenue trains at 14th Street without thinking about this clip.

Every interview with someone involved in the current *moment* of small companies touches on the “relate-ability” a niche-oriented brand is able to communicate over the might-as-well-be-CGI skateboarding you see in major company videos. In the years after Mixtape came out, there wasn’t a lot of relate-ability going around. Until the early 2000s wore on and innovations like IRC democratized the reach of skate videos, a company video guaranteed one thing: California.

Mixtape wasn’t just relatable because it was local, or because the skating wasn’t down big handrails. It meant so much more because of subtle moments like the subway tricks — they were as opposite of California as you could possibly get.

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Who Do You Skate With in the City When I’m Not There?

ashy

Season starts this week :) Daylight-saving time ends next week :(

1) You can buy copies of Johnny Wilson’s new video, Paych, for $10 here. Labor is supposed to be getting copies this week. The DVD also includes Beef Patty. 2) Living up to the “Most Productive Crew” trademark, those dudes already have another video on the way. 3) It’s mad sad that the VX is dead yo.

Amazing: Drunk dude calls cops on skateboarders, ends up getting arrested himself.

The bro Lil’ Lui has a video check out on the TWS site. Features footage of the 29th Street ollie from last week’s Monday headliner image.

Can’t remember the last time a part ended with a switch front shuv. What a great trick.

Not only are clubs likely seeing higher revenues on Tuesdays, skate videos are also getting made to commemorate 2014’s most on-trend day of the week.

SMLTalk listi-cized their five favorite friends sections. A notable snub / personal favorite is the one at the end of Mixtape, which pretty much nails the vibe you want any friends montage to have, not to mention features maybe the second best 360 flip ever done. Also, the Blind section from Virtual Reality belongs there off G.P. Mariano’s trick is incredible no matter what decade you’re talking about.

New Juicy Elbows clip up on YouTube. The ender is wild.

The 181st Street Park got a fresh paint job for its first birthday:

Rick Howard is on magazine covers again.

Gino + Dill + Kool G Rap + Manolo remix to commemorate new partnerships.

Backing the #musicsupervision in the new Matt Miller part.

Skating for Polar seems like it requires more heavy lifting than any other sponsorship.

Hjalte v.s. Aaron Herrington v.s. Joseph Delgado v.s. Brian Clarke in S-K-8.

Happy Halloween from Quan and Thug.

QS Sports Desk Play of the Week: Bogut figured out how to throw mini Kevin Love passes now?

Quote of the Week:

phil

Rest in Peace Matt Reason. One of the main reasons people use the phrase “east coast” as an adjective to describe skateboarding.

Left the 7D at home, took the VHS camera out

The best web clip in who knows how long. While “summer in New York” clips typically embody a play-by-play ending off at the Courthouse Drop, the creative team over at Palace Skateboards aspired for something significantly different. The clip falls in line with the VHS nostalgia seen in projects like Gnar Gnar and Caviar, but blends it with token nuances like non-annoying instrumentals, Waka Flocka, Bun B vocal cut-ins, and other things more synonymous with the modern era. The skating is all sick, including many instances portraying the difficult pursuit of doing meandering street lines that don’t seem forced, or like, “weird, bro.”

While some asshole is probably on the internet screaming blasphemy at the re-usage of Jeff Pang’s Mixtape song, we’re supporting it wholeheartedly. Especially in light of the fact that that red bench ollie (at the spot that isn’t actually *the* Red Benches, but on the northern side of the building) is the sort of thing that would have been in a nineties skate video. On an anecdotal note, that particular song features Matthew Mooney’s favorite rap line of all time from none other than Keith Nut. Ask him what it is sometime, it’ll be a good conversation icebreaker.

(The real question is: Does Palace receive endorsement checks from Long Island University? And if so, how does it tie into the company?)

Palace also put together a Lucien Clarke compilation, featuring some of his This Time Tomorrow footage, and set to another nineties classic. Who would have thought that a British company would have cornered the more nostalgically inclined side of the skateboard media world and not come off as contrived.

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