“Send Za” is the latest New York edit from videographer Eryk Burton. Ender nollie heel at the new spot everyone’s been getting yelled at is wild.
“I always liked no complies, even when they weren’t cool.” Love these — “Watching Jerry Fowler with Jerry Fowler” is the latest in Village Psychic’s “Watching” series, and it’s about his Continuum part. Glad that he likes it, because it rules ♥ Doing one of these with Jahmal about his section would be just as rad :)
Adrian Vega via Giovanni Reda. This photo really does justice to how gnar tricks on this bank are.
Zach Moore (director of last summer’s remix blockbuster, “Jake Johnson: The Movie“) is front-running for delivering 2021’s best laughs so far. A) “The Ultimate Skate Songs Collection” envisions skate videos’ most iconic music in the format of a late-night TV commercial for a CD box set. The plot twist in this one is so brilliant. B) “A Caption To Die For” pays tribute to Thrasher‘s often absurd video captions in the form of old-timey newspapermen by way of classic Hollywood film noir. Give Zach Moore his skate Oscar.
Pretty much any group of skaters that has passed this spot these past ~20 years has stopped and debated whether it was possible or not. I remember somebody pointing out that if Brandon Westgate hadn’t done it yet (he definitely would’ve known about it), then maybe it was impossible. We even posed the rhetorical “how long until” on Twitter two years ago (that photo does the size of it zero justice, btw.) Really glad T.J. was the one to get it. The fact that an ollie is on the cover should tell you all you need to know about how crazy this is. (Well, that and the fact that it’s broad daylight in midtown Manhattan should color the narrative a bit, too.) Assuming everyone will be onboard the #TJSOTY train when that Supreme video drops, so yeah. Photo by Jared Sherbert.
After getting shamed for not putting the new OG.2000 video (the dudes who made the “Mariah” video last year and um, ollied onto a Ferrari) in #QSTOP10 contention a week ago, we finally got around to watching it, and yeah, it got way less shine than it deserved on the skate internet. Tons of incredible Euro skating from names that will likely be unknown to you — though I’m sure some #trend-weary curmudgeons will find issue with something. These two tricks in Paris are fucked.
Back when Crailtap was a daily visit and the skateboard internet was a smaller place, they used to post these random digi cam tidbits (pre-iPhone obvs) on their site. Someone compiled all of them, 2003-2005.
Shout to Cosme Studio for coming through on a slightly higher quality digital copy of Continuum. These are maybe only 10-15% better quality than the ones that have been on YouTube for ages, but hey, slow motion is better than… Also we’ve certainly pontificated about it in the past, but wow was Jerry Fowler’s skateboarding ahead of its time. Jahmal’s is obvs timeless, but you knew that :)
EggsTech™ without the Eggs. The boy Dana Ericson hit up Barcelona for a lot of heavy noseslide and shove nosegrind maneuverings. [*Mandatory mention that he skates a lot of non-stock Barcelona spots :) *]
“Let’s not forget that skateboarding has been multi-platform media since the Bones Brigade videos.” Skateboard Story ran a brutally blunt and honest interview with Eben Sterling, a guy who’s worked at Thrasher for over two decades, about the mag’s continued success as we decry the imminent collapse of print media, and how you’re definitely a dick if you’re on the QS comments section in 2016 thinking Rihanna beingthe god is some Urban Outfitters “irony” shit.
“The way they let the hill bombs run out with no music has an intensity impossible to concoct with slow-motion drone filmography, and its montage structuring is refreshingly dense, difficult to digest in even a few watches…” Boil the Ocean gets its #filmtheory on to juxtapose the GX1000 video with um, skateboarding in the Olympics.
A topic that has more-or-less steered skate conversations for 20 years: pants.
Although this has to do with one of the worst qualities of American culture, here’s an interesting interview with a lawyer who skates handrails, and took his proficiency at talking to cops to specialize in skateboard related legal-cases.
So I often ask the subjects of these interviews who they consider to be the most underrated skater of the 1990s and your name has come up more than a few times. Do you think there were aspects of your career that went underappreciated or didn’t get their proper due?
Do I feel like I didn’t get enough shine? No. I don’t feel that way at all. To hear that people think that is awesome but I don’t feel that I’m owed anything or that something should’ve have gotten more praise than it did. At the end of the day, I don’t know what I could’ve done more than what I did. But that’s cool to hear. — The Chrome Ball Incident / November 2, 2012
Nobody was as much of a precursor to today’s brand of highbrow ledge tricks as Jerry Fowler. Look no further than onetime six-figure ledge skater, Brian Wenning, admitting last week that the origin of the backside nosegrind pop-out craze (which very much still resonates in today’s fickle beanplanted times) leads back to a jack-move pulled on Jerry’s west coast-bred, east coast-honed bag of tricks.
Everyone knows that the “this could come out today and still hold up”-hyperbole is wishful thinking 95% of the time. Wenning says it about Photosynthesis in the aforementioned interview, but we have gotten lightyears past the new AM being able to end off his first part with a switch 360 flip down nine. Although his 411 section gets the most burn on the social media circuit, watch Jerry Fowler’s DNA Continuum part. You’ll see the half cab nosegrind revert fishhooks that Puig does, the frontside 180 no comply fakie 5-0s that Aaron Herrington does, and the backside shove-its into backside grinds that Hjalte does — a decade-plus before said tricks would come to occupy the minds of today’s most #trickselection savvy skateboarders.