“I can’t believe you’re not more hyped on your pro M&M. I’m starting to think I should’ve given it to someone else.” Skate Jawn‘s “$100 Chill” series is back! The new episode is with Nelly Morville spending it all in Times Square. Yes, a lanyard and one sticker costs $19 there.
The Bunt is also back! Their latest is a hall of fame episode with Josh Kalis.
The Hunnydip NYC crew just dropped an all-New York crew video entitled NIÑO. Guest tricks from the inline homies is seriously fire 🔥
INBETWEEN DAYS is a Syracuse, New York-based video by Lukas Reed. Includes an opening part from Drew Grabowski, lots of great hometown vibes, and some #spotresearch for anybody tired of staring at Blue Park.
Sign + share the petition to keep synthetic turf off the Tompkins flat.
Not a ton of New York news this past week…
“4 Cities, 100 Nuggets” is a mini video featuring some Canadian dudes (…I think?) doing a two-week road trip through North Carolina, Philly, New York, and Boston. That back noseblunt bigspin at Baldi really came out of left field + good to see people coming up victorious over the speed bumps at the recently-knobbed plaza on 110th and 8th (which is sure to be utilized by absolutely nobody now, considering it’s in the middle of the street, with no shade, and across from a 840-acre park full of trees…)
Thoroughly enjoyed this… a lot: Kris Brown in the Philadelphia-based, A Regular Ass Video by DJ Traceman.
“It’s not a boot-camp for the Olympics.” “No, it’s a boot-camp for life.” Given the stature of its alumni, you likely know of its existence, but you probably don’t know much about the skateboarding high school in Mälmo, Sweden. Skateism has a full interview about Bryggeriet, and how’s its not exactly what you would expect.
Brian Delaney and a few others skate some Boston classics in a collab clip between Grand and Orchard Skate Shop. (Is that the first time somebody has backside 360 kickflipped a trashcan on flat?)
Watching a big company skate video in 2015 is like watching a championship game between two teams you have no emotional attachment to. Everything built up to that moment, everyone’s been waiting a long time to see the result, the people involved are the best at what they do, but it’s impossible to go all in on. That’s why most verbal reviews of skate videos are prefaced with “The skating is obviously good…” At a certain age, there’s no point in re-watching any new video that doesn’t have your friends in it — or skaters that remind you of your friends.
…or at least people who clearly skate together.
With every big video, we find something to latch onto. Some watch them for the #fashion. Many watch them to catch sightings of the old guys without active Instagram accounts (these six seconds were the loudest the theater got on premiere night in New York.) Some do have friends that make it into company videos, so they watch it for the hometown heroes (e.g. it was probably loud as shit for the Richmond premiere.) Quartersnacks’ most common lens for discourse on this type of thing is the noseslide.
The Vans roster does not seem loaded with nosesliders — the video is largely devoid of ledges altogether, which are the noseslide’s most compatible partner — but Propeller does boast an ensemble of impressive nasal maneuvers.
(Plus their guest verse in a rap song counterparts.)
As America’s premier inventions, it shouldn’t come as a surprise that both rap and skateboarding have similarities. For example, guest verses on rap songs and guest tricks in parts virtually operate in the same exact way: they start careers, they rejuvenate careers, give way to friendly competition on the same spot/beat, and sometimes, they simply provide material for the nerds to nerd out over.
…and yes, this is maybe the nerdiest thing ever posted on this website.
Putting your team on is the most hip-hop shit you could do in any realm of life, even if it often results in bankruptcy. We dug through the rich dual histories of putting other dudes on your song, and other dudes in your video part, seeking comparisons whenever they were applicable. This is rather Transworld video heavy because they embraced the power of the cameo far more than other institutions. Think of them as the Hypnotize Camp or Wu-Tang of skate videos…or something.