‘A Canvas For the Psyche’ — The Politics of Griptape in Skateboarding

Intro + Interviews by Frozen in Carbonite
Illustrations by Requiem For A Screen

I’ll never forget the wildest grip job I ever saw.

At the local park, this dude had clear grip with a collage of pornographic photos underneath. This raised a few questions. First, where the hell does one still buy physical pornographic magazines?

Next, the why. Did this particular pastiche of photography stoke him out like nothing else? Were these women his muses, like a current-day version of those paintings on WWII bombers and shit?

Maybe he needed to look at naked ladies 24/7.

ANYWAY, you may have noticed a plethora of new griptape brands sprouting up in the past year. Griptape is the one skateboard component we are in contact with (visual and/or tactile) almost 100% of the time. Just like Narcissus stared into his reflection until he died or turned into a flower or whatever, we stare at our griptape until the deck eventually dies — either broken or devoid of pop. It also functions as a canvas onto which one can project one’s psyche: the serenity of plain black, an inside joke, or a call to arms.

Skaters reserve some of their most hardcore gear opinions for this seemingly innocuous piece of sandpaper. With all this in mind, we present the The Politics of Griptape.

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This one is a lil’ late New Year edit from Classic Griptape, featuring a grip to Stafhon Boca and Will Marshall appearances, plus …honestly cannot believe I’m about to type this… the return of Pryce Holmes footage to the QS front page. Starting to cry of joy now. Have a good one 🥲

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Free Beers At FTC Type Beat

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Paul Young uploaded the full raw files to the “Museum of Sex” edit.

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Don’t let anyone ever tell you that it cannot be done.

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There’s no way you haven’t seen the new Mark Suciu part where the entire second half is him going off in New York, right? Five-trick line at Reggaeton with a nollie cab noseblunt, the front 3 switch back lip at JFK, etc. Wow.

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