The JHAKX video from Takeshi Nagamatsu has a New York section to start it off, plus a lot of familiar faces. It’s funny to see the metal strips across the Cooper Union bank get defeated one at a time over the years.
“Pleasure” is a 20-minute NJ/NYC/Philly video by Hugh O’Hare, and “Don’t Smoke That Wood In Here” is a 10-minute NJ/NYC/Philly video by the Lottery Boiz. Shout out to the enduring badness of bust-free ledges in the greater New York metropolitan area, which causes all of us to still drive out to Staten Island to skate P.S. 6…in 2019. Also, of course skaters wasted no time editing something to Young Thug’s late summer beach anthem, but tbh, “went from boogie board shorty and now I’m the big kahuna” is a lot to live up to.
As you likely heard, on Monday, current subscribers to Transworld received notice that March / April 2019 would be the magazine’s final print issue. And in what made me initially think they had to be trolling, the remainder of everyone’s subscriptions would be replaced by issues of Men’s Journal. Associate editor, Mackenzie Eisenhour, wrote on Instagram that TWS would continue producing digital content, though he will no longer be with the mag.
I sat for a couple of days thinking what to write about the #2 Skateboard Magazine’s demise (which spent some years as the #1 Skateboard Magazine, depending on who you ask) without only veering into nostalgia that has very little to do with how we got here, and without “print is dead! long live print!”-isms. The average 2019 skateboarder’s attitude to legacy media can be summed up as “I’m happy magazines exist” at best — and that is simply a symptom of where media and our collective attention spans are now.
“This spot is long gone. We called them ‘Chelsea Banks’ because they were on the West Side Highway in Chelsea, directly across the highway from, what is today, the Chelsea Piers Skatepark. Today this spot is a little green triangular park, but back then it was a shit show.” TWS interviewed original Zoo York co-founder, Eli Gesner, and original Shut rider, Jeremy Henderson, about filming Mark Gonzales during the first time he ever came to New York in 1987.
Manuel Schenck has a new all-Parisian edit for Supreme to commemorate their upcoming Nike SB Air Force 2. Features Nik Stain (!!!), Vince, Sage, Sean, K.B., Kyron Davis and Koston returning to gap skating at my favorite spot in the world.
“But even in his most powerful Diamond t-shirt, Chaz Ortiz can’t carry 2.7 million souls on his back alone.” Boil the Ocean reviews Realm, the latest video from Chicago’s Deep Dish crew, which came out last month.
Tennyson Corporation put together every appearance Rick Howard and Mike Carroll ever had in an issue of 411to a four-song mega mix.
C.J. Keossaian, Sean Dahlberg, Hugo Boserup, Andrew Wilson, Nik Stain and John Choi traveled to the Westerly and Groton skateparks in Connecticut, and came back with “Jet Fueled Hog.” We did that once. Good times.
Frontside 5050 to nosemanual is maybe the last trick anyone expected to see on Pyramid Ledges from that period where the one side was unknobbed.
Skate spots are living, breathing things. They shift with the socioeconomic climate of the time, and position themselves to best adapt with people’s needs. Skateboarding has always been reflective of greater society, so it should come as no surprise that our lives were pushed intoColumbus Park as we began to get pushed out of the pricier, glossier haunts that we once frequented in lower Manhattan.
Columbus Park sits on ominous ground. It was built on top of what was once America’s first slum: a hotbed of vice, disease, murder and clashes for control that have been documented in manybooks and films. Though it would take decades for the neighborhood to rid itself of the notoriety it earned throughout the 19th century, the city built Columbus Park in 1897. A hundred years passed, and then a guy from Clifton, New Jersey came along. The park began its second life as one of the few downtown spots you can skate in 2017 without getting kicked out.