Quiet Days

📷 via @freddygall78

There’s a re-up to the Alltimers going out of business sale. Includes $30-35 decks.

I’d rather watch Dino push.” Not a typo. Real ones know :)

“Some people might not care about architecture and design and that’s fine. If they just like my skate parts, that’s cool. When someone knows the work I do beyond skateboarding, that means a lot because I probably spend more hours of the day with my head within that stuff. As I get older, well, my future definitely isn’t going to be jumping down even more stairs.” Our correspondent, Farran Golding, interviewed Alexis Sablone for GQ.

“By going out and still living, even if the situation is very difficult, it’s like a way to take control of the situation. To say, ‘No, even if there is war, I will still have my youth.’” CNN has a feature on French photojournalist, Robin Tutenges, who has been covering the skate scene in Ukraine since the war broke out in 2022.

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On The B.Q.E. Blasting Bach

Hardbody’s OD video is premiering at Village East Cinemas (E. 12th Street & 2nd Avenue) this Wednesday, July 31. Doors @ 7:45 P.M. No teaser, but you should watch Antonio’s Jefé mixtape from the Museum to get hyped.

QS is hosting a premiere of Pop Trading Company’s first-ever full-length video at The Palace Bar in Greenpoint this Thursday, August 1st @ 8:30 P.M. Flyer here. Teaser here. 21+.

“What kind of person looks at a dusty construction site, shoved under a bridge and controlled by a seemingly impregnable bureaucracy, and thinks: This is a perfect space for a park?” Skaters, for one. Glad she’s onboard, though was reading this Times profile of the woman trying to turn the space under the Brooklyn Bridge (Manhattan side) into a giant park and wondering — how has it taken this long to mention skaters? Because, you know. (They do, halfway in.)

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The Oral History of ‘The Wire Spot’ A.K.A. Marlo’s Hangout

📝 Intro + Interviews by Frozen in Carbonite

If you ask me, shit just hasn’t been the same since Home Box Office brought us all together every Sunday night at 9 P.M.

Finding spots in movies and television has long been a quantum-level subdivision of skate nerdery, from Breakfast at Tiffany’s (that black marble ledge on the east side of Manhattan) to The Godfather (Courthouse Drop) to Michael Mann’s Heat (DTLA Arco Rails area.) On an October 10, 2006 episode of The Wire, viewers caught a glimpse of a location known as Marlo’s hangout (Season 4, Episode 5) — a bleak concrete expanse with an array of banks, ledges, and bank-to ledges. It seemed insane that A) such a place existed, and B) one of the flagship programs of the “Golden Age of Television” used it as a key location.

As the legend of The Wire grew, so did that of the “The Wire Spot,” popping up in a slew of 2010s videos – primarily of the east coast variety. It seemed dope that an infamous locale in Wire lore became a destination spot, not only for locals, but for visiting pros.

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