‘Beef and Broccoli with No Broccoli’

torey

You should pre-order your copy of the FTC book now.

Someone put together a remix part with a lot of Dennis Busenitz’s post-Since Day One footage. Did anyone else miss that China Banks manual sequence? Not sure how that one slipped under the radar. Wow.

Okay, so maybe a “Paine’s Park for L.E.S. or Astoria” trade is still a debatable topic, but how many New York parks would you trade for this new plaza in Vienna?

Ageless ledge mastermind, Enrique Lorenzo, is a part of a new Spanish skateboard company called Louw and has a quick section of high-brow ledge dancing at the 3:10 mark of their intro video.

Weiger’s part in the last Nike video is way better than you probably remember. Watch the musicless version or put some fashion forward Future shit on for it. “I’m moving on, I’m moving on, ain’t no more Louis Vuitton.”

The loop has left the vert skating world! Now that a street-variant of the loop exists, the countdown for the first person to do it begins. So, if Jake Johnson did it — it’d be surprising — but it wouldn’t be that surprising, right?

Did Forrest Edwards teach Jamie Thomas to enjoy life again?”

Empty bottle of Jack under the bench BGPs n’ stuff.

Jersey Dave takes photos now.

One week after condemning post-2013 usage of songs from Enter the 36 Chambers for skate clips, we’re going to go ahead and link this ten-minute video DC put together about…36 Chambers and skateboarding. It’s basically the video version of this (“skaters like raw shit!”) and turns into a bit of a DC puff piece towards the end, but they do manage to interview Gino, Kareem, Jeff Pang, etc. Are skate media outlets already planning content around the twenty-year anniversary of Lifestyles of the Poor and Dangerous A.K.A. “The Most Edited-To Rap Album of All-Time” in two years?

QS Sports Desk Play of the Week: Can we get Sheed in the 2014 dunk contest?

Quote of the Week:

short boarding bro

Via Pat O’Dell’s Instagram

There are a lot of the question marks in this post. We’re just curious.