Antonio tomfoolery in the QS Dunk that is coming out pretty soon :) Photo by Jason Lecras
From a skate house above a chicken shop by Southbank to a GQ feature: Fashion-writer-who-actually-skates-and-can-write, Noah Johnson, profiled the minds behind Palace for a feature in Famous Men’s Magazine™.
There is no shortage of crust evangelists working in New York skateboarding today, but every once in a while, there’s a part so endlessly dedicated to spots with eight things wrong with them that you need to stop and give #respect. Charlie Cassidy’s 4 x 4 part is one of those, and Vague mag has the part + an interview with him about it. The cast of In Crust We Trust would be proud :)
It’s heartwarming to see world renown design principles from 12th & A make their way to skateable spaces all the way across the Atlantic.
“Their video Grains, filmed across the soybean belt of Illinois, Missouri, Indiana and Ohio, veers far off interstate arteries and urban sprawls to extract tricks from crumbling loading docks in Joliet, dilapidated stadiums in Gary, polished-stone plaza ledges in downtown Peoria.” As most skate content has drifted towards Instagram and nothing has much staying power, the idea of a “video review” has sadly become a relic of skate publications past. That’s a bit sad, considering a resounding, well-written recommendation of a not-so-obvious video (or something you simply neglected to click on) still means a lot. I bought Grains after reading Boil the Ocean’s new review of it, and can’t say I would’ve been compelled to do the same if I saw a part of it on Thrasher or YouTube with a Big Cartel link under it ♥
“The most dominant example of genre loyalty is DGK’s whopping 92% use of hip hop.” Someone culled Skatevideosite’s entire database of soundtracks and put together an infographic-based portrait of #musicsupervision in skate videos over the past four decades — and somehow, despite the fact it has been a recurring joke on here for ~10 years — Big L isn’t the most oft-used rap artist.