‘It Feels Like You’re Both Getting The Clip’ — A Reappraisal of Fisheye Videography

📝 Words, Interviews & Top Graphic by Farran Golding

Skateboarding found its first industry standard filming rig when the Sony DCR-VX1000 video camera was paired with a Century Optics MK1 fisheye lens in the late 1990s. Fundamental to producing every tentpole skate video throughout the early 2000s, a precedent for skateboarding’s visual language emerged and footage captured through a fisheye lens became the defining trait of skateboarding cinematography.

Eventually, Panasonic HVX and HPX cameras equipped with an Xtreme fisheye succeeded the VX and MK1. Popularized by William Strobeck during the mid-2010s, this change of filming set-up coincided with long lens videography becoming the zeitgeist. Observing the Quartersnacks Top Ten (our closest thing to a longstanding data set) evidences a decline in fisheye use over the past decade.

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Congestion Pricing But For Blue Park

When we interviewed Reda about the shot of Todd Jordan’s switch back tail in the weeks after 9/11, he mentioned wanting to complete the set of having the same shot of the Towers, no Towers, and the Freedom Tower. Pretty sure Mike Heikilla is the first one to snap a photo on this forgotten (?) Hoboken, New Jersey spot since the new tower was completed over ten years ago. Discussion of the Todd shot + the mission to get this one is featured in the Dick Rizzo “Headspace” video that Huf dropped last week.

Booyaka is a video by Patrick Lang showcasing the scene in Syracuse, New York, and includes the last-ever part from the late Andrew Grabowski ♥️

Scuba divers discovered 25 bricks of cocaine in the Florida Keys this week stamped with the Nike SB logo.

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Favorite Spot with Dom Henry on Fairfield Halls

🔑 Intro, Interview & Edit by Farran Golding
📷 Headline Photo by Wig Worland
🐐 Special Introduction by Paul Shier

Until now, the Favorite Spot series has consulted with those whose prolific outputs have positioned them as the de-facto skateboarders for spots. Our second U.K. edition is the first to somewhat stray from that formula.

After moving to London in 2017, Dom Henry began skating Croydon’s Fairfield Halls — carrying a reverence for Paul Shier’s earlier footage that had stuck with him ever since watching Blueprint’s Waiting For The World as a teenager.

Dom insists he has no claim to Fairfield and that the spot belongs to Shier and the Croydon scene who first localized it. However, in traversing a minefield of cracked flags and taking his breakneck tech to those chewed ledges almost two decades later, Dom’s enthusiasm for Fairfield would give the place a fitting send off and innocently position him as a key part of its folklore.

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