Boil the Ocean offers up some reflections on Knowing Mixtape Volume 2, as does Canada’s King Shit magazine. Agree that “every single clip is extraordinary in some way.” Three-and-a-half years of filming for a 17-minute video has a way of doing that — even the bails they put in there stand out in a very particular way that other videos can’t pull off. Also! Tiago for S.O.T.Y. every year until they give it to him.
This upload is from August, but only catching it now: “Fasuad” is a fun homie video by Marc Pascua. It’s all filmed around the city with some cameos from Mark Suciu, Frankie Spears, et al., and edited to a song that they would play at the healing crystal and plants store by T.F.
We have a capsule with Nike SB releasing this Saturday, April 14. It’s definitely our best one! More info soon ♥
Gonna throw in an early left field link, but the Pass~Port in Greece edit is the best (i.e. watched it more than once) trip edit that’s dropped during 2018’s Winter Getaway Footage Dump Season (yes, I know Australia is in the southern hemisphere.) It’s always nice to learn of some nice new songs in a skate edit too :)
“That’s what I keep telling myself, ‘maybe in ten more years.’ Those ten years go by and I’m still not ready. Actually, I’ve come to terms with it, this is it.” Skate Jawn interviews productivity legend, Dave Caddo.
“In a Warhol-esque version of a future skate industry where 1% of pros earn lavish salaries and the rest ball for position, will everyone have their own brand, with price-points scaling higher in accordance with gnarliness and footage releases?” Boil the Ocean on pros’ t-shirt ventures, and the cult of Jerry Hsu’s Sci-Fi Fantasy brand.
Even if it is in the Times + includes the phrases “daredevils” and “neoliberal training grounds,” Jeff Ihaza’s feature on how skateparks came to be understood, accepted, and built passes the litmus test of linkable traditional news outlet skate coverage.
While the Times may think we “won,” we also lost one of the best ledges in lower Manhattan this past week. The deknobbed ledge at Seaport that was more-or-less a go over the past year-plus is now knobbed not only for grinds, but for manuals too!
Normally don’t care about “oh, so-and-so already skated to that song”-isms — especially in this fickle footage economy — but “Blowing Up Fast” holds a special place in many hearts. This guy does a line at Three Up Three Down, hypes up P-Rod, and has never seen Baker Has a Deathwish, which is totally fine because it’s almost ten-years-old now goddamn.
“Chewy threw an ironing board at Lucien over this shit. The skate house, the skate house, the skate house—we’ve all been there.” TWSput their Palace in New York article online, which includes an interview with Jamal Smith, who doesn’t have any photos in it, but is the star of a pretty sick faux 411 “Wheels of Fortune” section.
“I think the reason nobody wanted to show us around was he fact we might have been a bit of an embarassment. Actually, that’s certainly the reason.” And even though it’s from last year, The Skateboarder’s Journal posted their Passport in New York article, with words from Callum Paul.
It’s amazing that people need to point out that they dislike front feeble laser flip outs in 2017 like it’s a kickflip backside tailslide or some shit. The Bunt’s new season kicked off last week, with what’s probably the most Canadian episode they’ve ever had.
F.A. uploaded a 46-minute compilation of B-sides and raw footage — some of which is unseen, some of which you’ll definitely recognize from past edits. Someone also turned all the episodes of “Atlantic Drift” into one single-stream 34-minute reel.
“We’re utilitarian people. That’s what the fuck we do.” Village Psychic has an interview with Jake Phelps about the cost of living in the only place with higher rent than New York: San Francisco. (Free idea: You guys should do a story about skateboarders living with random Chinese families in New York.)
Boil the Ocean with an early weigh-in on 2017’s S.O.T.Y. race, but is there 1) a single person who follows skating that doesn’t think it should unequivocally be Tiago, and 2) if not, what possible reason could you have?
“Cliché may be gone, but the elan, the esprit de corps, and that certain je ne sais quoi that made the brand so fuckin’ dope live on in the various manifestations of EuroTech that permeate the continent. Indeed, the upside to living in a dystopian futureworld is the ability to—via the ‘gram, natch—to view the quotidien of Stalin, Macba, HDV, République, and Jarmers in real time.” Frozen in Carbonite gives us the most comprehensive and heartfelt eulogy for Cliché yet, by focusing on the brand of skateboarding that it helped bring to the world stage: Eurotech™.
Two solid clips from the LurkNYC crew: “Mean Streets Volume 7,” and “Playground Casino” for Hotel Blue. Kinda been wondering when someone was going to hit the rail and do the quick wallie in front of NYU on W. 3rd…
“Putting on a fedora to go skate is like bringing a guitar to a session; it’s clear that you had other plans for the day that didn’t include skating.” Ripped Laces looks back on skateboarding’s regrettable fedora era…
Adult Rappers is a good hour-long watch about dreams and what happens to them when you grow up. Not hard to imagine a lot over overlap with skateboarding here. Shout out to Dave Dowd for the recommendation ♥
QS Sports Russell Westbrook Desk:This must’ve been, uh, disorienting. #MVP.
Quote of the Week: “Instead of ‘Skater of the Year,’ there should also be an award that’s just ‘Best Skater,’ where it’s been Ishod for the past five years.” — Leroy Holmes
