In Absentia: The Newport Remix

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After yesterday’s #controversial post, it felt necessary to quell the tension and focus on the waterfront utopia that existed on the opposite side of Manhattan island, some fifteen years ago.

Jim Hodgson was generous enough to lend us all the Newport footage from his In Absentia series for this QS remix. Out of all the romanticism that surrounds east coast skateboarding, the Love Park / City Hall / Photosynthesis era carries the most weight. These wooden blocks on the East River waterfront were New York’s concurrent answer to what was going on 100 miles south on I-95 at that time. The baggy carpenter jeans, bulky shoes (be on the lookout for D3s), steadyshot turned off, and above all, the first-ever sight of advanced technical skateboarding within New York City limits remain points of nostalgia for all late-nineties / early-2000s skate nerds. Consider it the video companion to July’s “History of Skateable Seaport” post.

Also, let this stand as a prime example of how easy-to-solve the issue of skateable space in New York is: A few wooden blocks with metal affixed to them, and we’re still talking about it a decade-and-a-half later. It’s not that hard. You don’t need California Skateparks to figure that one out.

Features Bobby Puleo, Albie, Mike Wright, German Nieves, Andy Bautista, Rodney Torres, Brian Wenning, Anthony Pappalardo. Filming by Jim Hodgson.

P.S. While on the topic of 90s-themed QS remixes: This past summer, a prominent Danish skateboarder told me that his “favorite video part” was the Quim Cardona QS remix. He was probably just trying to be nice, because, like, why wouldn’t the Non Fiction part be your favorite if you’re going that route? — but in any event, I always felt bad about the aspect ratio being f’ed up in that clip, so we fixed for 4:3 viewing over on Vimeo. For that guy, and all others. Have a good weekend.

The Ledges By the Sea: A History of Skateable Seaport

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#OCCUPYSEAPORT

Beyond being some of the most expensive property in an already laughably expensive city, the waterfront has been instrumental to the progression of technical, #lowimpact skateboarding in New York. The city has always been a decade behind California in terms of technical ability, but had it not been for the development of the Seaport, a flip-in trick might’ve forever been a myth to New Yorkers. Just think: did you ever truly see people doing reverts, nollie flip-ins n’ shit before someone thought to put angle iron on those wooden blocks? Not really, right?

With Seaport 5.0 being the frontrunner for 2014’s “Spot of the Summer” (in a lead comparable to Chris Brown’s for equally important “Song of the Summer” honors), we take a look at the five forms that Seaport has taken throughout these past twenty years. While reading this, please keep in mind that there is barely anything resembling a “normal, straight ledge” at any Manhattan skatepark.

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