New Futures and Distortions in Time — The Mechanics of Skate Magazine Covers

🔑 Introduction, Interviews & Collages by Farran Golding
📷 Headline Composition: Román González by Alex Pires for Free Skate Mag, Momiji Nishiya by Allan Carvalho for Mess Skate Mag, Corey Bittle by Tyler Storm Brady for Skate Jawn, Alexis Sablone for Golden Hour and Brad Cromer for PLANK by Matt Price

Walking around chairs wrapped in merlot fabric, the waiters of L’Entracte Brasserie in Paris went about their morning shift, placing silverware and wine glasses, unfazed by the camera flashes of photographer Alex Pires.

The restaurant faces the Palais Garnier Opera House, a building that is almost two centuries old, and as iconic as other Parisian landmarks such as Notre-Dame and Sacré-Coeur. Outside the opera house, an image of the Palais Garnier’s façade was depicted on a temporary wall, producing an illusion the French call “trompe-l’œil.” It directed visitors to entrances above and below a stairway. Two hours before the venue opened at around 7 A.M. on a damp, December 2024 day, Román González threw himself into the temporary façade of the Palais, clinging onto a frontside wallride down the stairs.

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Starting a New Skateboard Magazine and Other Radical Acts of Love

📝 Words by Mike Munzenrider
🎨 Collage by Francesco Pini

Skateboarder magazine ended in late 2013, but according to its longtime editor, anxiety about the magazine’s viability was present a decade prior. “Even in the early Skateboarder days — the mid-2000s — there were signs that magazines could be in trouble in the coming years. You had to switch gears and do everything you could to keep it going,” says Jaime Owens, who, following Skateboarder’s demise, became editor of Transworld Skateboarding. Transworld, of course, which published continuously from 1983 through 2019, now lives on as a web-only operation, due to its mix of 1.6 million Instagram followers and 400,000 YouTube subscribers.

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