“In a sense, Jeff Grosso’s contributions to the world aren’t singular but part of an entire point of view — one that could reflect how ridiculous life is while also hugging what he viewed as important tightly in secret. That’s an art. The ability to make things like skateboarding that feel so disposable yet life-changing — tricks that last seconds, yet feel immortal.” — A Loveletter to Jeff Grosso.
Hey what’s up hello. It’s the latest Monday post since the queen turned 30 back in February, but this week is a wash, let’s be real.
“The democratic process is going to march on with or without you and it’s up to you to make a difference in it. Whether or not skateparks really make the city a better place or not – you can argue it one way or the the other – the fact is that they bring vitality and youthfulness. That’s kind of the new currency, really.” Village Psychic caught up with our friend Will Cornwall about how the skate community in Providence, R.I. turned a neglected bit of their downtown into a multi-use skateable public space that wouldn’t look out of place in say, Malmö. Honored to have been a tiny part of the story ♥
We try to steer clear of the “fashion ripping off skateboarding YJ&&&T&%R$$^&!!!” angle considering skate graphics have been riffing on high fashion logos for decades, but Dolce & Gabbana’s DG King line looks eerily similar to that company the guy with that part in The Reason started… A wise man once said “you don’t have to be smart, just don’t be so fucking stupid” — this is more like “you don’t have to be original, just don’t be so fucking obvious.”
Michael Mackrodt’s “Fishing Lines” in Paris sequel is damning evidence of the fact that Paris is somehow even more afflicted with the “all visitors skate the same exact spots” dilemma than New York is. After maybe ~5 skate trips there, we have been to zero of the spots he skates. Keith Denley claims that it’s because those spots being “in the Paris equivalent of Bayridge,” but also he is not a licensed geographer.
Just when you thought DS1000 was the most fried concept you were gonna get for a video, Rob Fraebel made a 2018 video partially filmed on a Fisher-Price camera released in 1987 entitled PLX2000. (Don’t worry, it’s mostly VX though.)