Type of Way

“‘The EP me and Thug [are going to] drop? The hardest duo since Outkast.’ The interviewer’s eyes widen. He starts to push back (‘Now that’s—’), but Quan cuts him off. ‘I’m not being funny.’ He presses. ‘I’m not putting too much on it. Hardest duo since Outkast.'” 💔 💔💔

“Every Saturday and Sunday morning I drive around drinking coffee and looking around the city. I’m always looking for a spot where you could put a little piece of concrete and see if it stays.” Skate Jawn interviewed our good friend John Cruz about life after Shorty’s, and the D.I.Y. scene in Newark, New Jersey.

Day one rider for Travel Skateshop [Rahway, NJ], Derek Patterson, dropped a new part for Bronson Bearings. Mainly NY + NJ clips, with a wild ender and an incredible hardflip on that drop-in gap over the street behind Pyramid Ledges.

Jermaine Whittaker has a sick new part out over on Vague, filmed and edited by Blaine Williams. Lots of Seward Park ledge tech-ery and great switch front shove form at the end.

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Trust Your Kickflip

Nolan Zangas’ photography book, So Far So Good, is now for sale online.

Greg Navarro’s follow-up to 2021’s Upper West Side Curb Club, which was filmed entirely at the Soldiers & Sailors Monument, will be The Central Park Flatground Club, a video entirely filmed within the confines of Central Park’s 842 acres — a place not exactly known for its abundance of skateable objects.

“It can be a delicate dance to do something you love for money. I’m sure I could have kept my career going for a while, and it was tempting to do that because I was making really good money, but I felt strongly I needed to do something else.” Jenkem interviewed known goat John Gardner about leaving his pro skateboarding career behind so he could focus on doing mental health counseling. Godspeed, John ❤️

“New York was the one where I was, like, ‘Holy shit, these are skate spots.'” Closer posted up Farran Golding’s interview with Nelly Morville from their last issue on their website.

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Guardian Angels — An Interview With John Petras

Intro & Interview by Adam Abada
Photos by Bradley Culebro & John Petras

At their best, skate videos use their subjects – namely, the skaters and the spots they skate – to blend the narratives of place and character into a cohesive whole. When this happens, you get a special product that recalls the intangible things we love about skating. John Petras‘ new Pittsburgh video, Celine, does just that.

In the height differential of a high-to-low ledge on a crusty Pittsburgh hill, I can sense the city-wide spot survey that led to this one’s constant reuse. In the high-contrast, black-and-orange-lit night footage at the Museum of Natural History, I can nearly see the frayed edges of a Toyota Yaris’ cloth seats and smell the stale spliff smoke from the half-day commute on I-80. The interim vignettes – gentle hugging of friends in quiet moments and the repeated handing off of a flower – drew me into the skaters’ world in unexpected ways. John Petras seems to have pulled off the difficult trick of imbuing Celine with a personal voice and a representative view of a city.

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