Thankful For Keith — An Interview With Keith Denley

Intro + Interview by Adam Abada
Headline Photo by Jason Lecras
Skate Photos by Pep Kim

The longer you stay in one place, the more you get to know the people there. If you’ve skated in New York anytime since the Autumn era, it probably didn’t take long until you ran into Keith. As around as he was, though, you somehow never got as much as you wanted. Closer friends saw him skate on trips or sessions between work, while co-workers got some of his hardest working hours.

The skating that did trickle out to the public was always timeless, though. As it turns out, one of those co-workers turned him pro. It is this kind of steady, thoughtful, genuine living that makes Keith’s personality and skating alike so delightful to be around. It’s been long overdue to hear, in his own words, what makes Keith …well, Keith.

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In Memoriam — The Oral History of the Twin Towers in Skate Photos, Part 2

Intro + Interviews by Adam Abada
Collage by Requiem For A Screen

It is fitting that there are maybe the most skate photos of the Twin Towers featuring Keith Hufnagel and Harold Hunter: two of the greatest representatives of New York skateboarding.

Revisiting our series from two years ago, here are five more stories behind images of the Twin Towers in skateboarding, including many of Harold and Keith.

Looking into the stories behind them, I learned how essential they were to the fabric of so much of the skateboarding that has come out of the five boroughs. In memoriam photos of the Towers turn into stories about people and eras who shared some form of dual history with them, and in turn, ourselves. They remind us that if anything can be learned from difficult loss, it’s to always make the most of the time given to us. And that can be turned into hope and happiness, at least for a short time.

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‘Big Shout Out To The Empanada Lady’ — An Interview With Marcello Campanello

Intro + Interview by Adam Abada
Headline Image by Christopher Zipf
All Other Photography by Jason Sherman

Flushing Meadows Park’s globe looms large in New York skateboarding. It is probably the second most recognizable New York spot next to the Banks.

Just like the eye-catching blue ground at the globe, it was hard to remember where I first noticed Marcello Campanello’s skating. His movements tempt me to use descriptors often left to non-skateboarding journalists: whirling, spinning, twisting, leaping. I noticed him in local projects, namely: Canal videos, and then saw him popping up in Diego Donival’s project Goodily. With the help of Instagram, I knew he was an Astoria Park staple, but I didn’t know much else. It wasn’t surprising, though, when he surfaced on Karl Watson’s Maxallure board brand. Now, designing graphics for Maxallure and with a stockpile of clips, is as good a time as any to find out more.

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Summer Reading Round-Up: Skateboarding and __________

Words & Images by Adam Abada

“Shut up and skate!” That is a refrain I have seen written and analyzed more than actually spoken or practiced, but its dumb ethos echoes through so much of that which is considered “real” skating.

With the mindset of getting into the “summer vibe” (or something like that), I recently watched Dogtown & Z-Boys. Sean Penn’s bitter post-Spicoli narration about the [then] worst drought in California history doesn’t specifically say “shut up and skate,” but it lays claim to the temperament that it comes from. The film made me think about skateboarding’s connection to the world: the weather, school, roads, family, class, economics, substance use, housing. The film claims modern skating was born out of a drought.

Like everything else, when we skate, we bring the outside world to it. I do want to skate, but I don’t want to shut up about it! These three authors’ — all of whom skate — books, ideas, and studies help show that we can bring whatever we please to skateboarding to make it something that pleases us.

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Dreamer — An Interview With Jahmal Williams

Intro & Interview by Adam Abada
Collages by Requiem For A Screen
Original Photos by Cole Giordano & Pep Kim

Jahmal Williams is as humble as he is effortlessly flowing on his skateboard. He is someone with thoughtful personal aesthetics that you could never mistake for pretension. That translates into his effects on skate culture — one that he has been a part of for many decades now. A painter, sculptor and connoisseur of 180 nosegrinds, Jahmal is also a father and runs his own cult favorite brand, Hopps.

“Keep It Moving” isn’t only Hopps’ slogan, but a philosophy that keeps Jahmal relevant and creating great work. With a mind and personal history that exemplifies striking while the iron is hot, Jahmal’s new mural and accompanying short is the type of pandemic-era work that reveals how constantly evolving he is.

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