The Vicious Cycle House — An Interview With Zered Bassett via 2003, a Year Magazine


The following feature appeared in 2003: A Year Magazine. (We ran a feature from 1991 last year.) The issue is now available for purchase on, along with a QS hat we produced in collaboration with 2003 to commemorate the northeast blackout of 2003 — the day the T.F. was dubbed the safest place on earth.


Skateboarding was maturing in the late ’90s and early 2000s. Videos went from handycam promos to hour-long blockbusters with pro-level production values, skaters were padding their pockets with royalty checks from sponsors that were fatter than ever, and prodigious 15-year-olds were outshining the grown-ups with tricks that were unimaginable in the early 90s.

Except in New York, where skateboarding was still synonymous with chilling, of a lifestyle without an end goal. After 9/11, it felt even further removed from what was happening in the skate industry at large. The spots throughout Lower Manhattan became either desolate or off-limits, which made chilling (instead of missioning into the outer boroughs) that much more appealing.

But being New York, there was, of course, an exception. Vicious Cycle, released in 2004, was a video made throughout those years that upended the attitude associated with New York. Filmed by R.B. Umali and Doug Brown for Zoo York from 2002 to 2004, it was the first video to emerge from a crew of skaters living in New York who refused to accept what was becoming the status quo for a city that dominated in most other areas of culture. The result was very much up to par with anything coming out of California or elsewhere.

In 2003, Bassett and other skaters involved in the making of the video cohabited a windowless apartment in Lower Manhattan. This is the story of the Vicious Cycle house.

Where are you from and how did you end up in New York?

I grew up in Chatham, Massachusetts, which is in Cape Cod. I started skating there, met people, and then started going to Boston a lot. From there, I started getting hooked up with Zoo stuff from Jeff Pang, and would go out to New York to visit those dudes. I went back a few times, and then on my 18th birthday, I moved to New York. That was in November of 2002.

Were you getting paid to skate at that point?

Zoo paid for the house that I moved into, but I wasn’t getting paid.

How did the house come together?

The house was on Broadway and Fulton Street. I wanted to move to the city, so I talked Zoo into getting a house for me, Brian Brown, and Billy Rohan at the time. Billy eventually moved out, and Brian’s brother, Doug, moved in. He was the main one filming us back then. Lou [Sarowsky] would stay over a lot, too. People would always come to town and crash, whoever was around skating.

Keep Reading »

‘Connecticut is the birthplace of white people.’

A rare non-white person doing a boneless on Saturn.

The office spent the past several days in New England (driving through it…not skateboarding through it) instead of at Tompkins or on a park bench drinking champagne, so updates will resume on Monday. Now we know that if Future skated, his favorite skate spot would be in Boston.

Staying with the New England theme, here is the Boston/northeast montage from the 2004 Zoo York / Zered Bassett video, Vicious Cycle. If you’re feeling nostalgic about the St. Lunatics, it’s hard not to have similar feelings for Lil’ Flip’s year-and-a-half run that would arrive shortly after. As far as anyone at the QS Rap Desk knows, Vicious Cycle is the only skate video to ever include The Clover G on its soundtrack. Also, at the 0:52 mark, Ed Hall A.K.A. Eddie Rap Life wears perhaps one of the top ten garments to ever be worn in a skate video: a 4XL, maybe 5XL, banana-yellow quilted down jacket with Carolina blue accents. Vehicle Skateboards R.I.P.

“It’s clover G’s on top of my chain and when I die put a crown on top of my name.”