Meditations on Crust — Traffic Skateboards’ “It’s Completely Fine” Video

The blue collar skateboarding stalwarts over at Traffic released their latest project, It’s Completely Fine: The Toynbee Project late last night. Features full parts from Kevin Coakley, Chris Teta, Hiroki Muraoka, Luke Malaney, Josh Feist and James Sayres, in addition to appearances from the rest of the crew in between. If you pay close attention, you might even spot a pre-Lasik Keith Denley emptying out his backlog of glasses clips.

Anyone who has seen a Traffic project before knows what to expect: rather than hinging their productivity on the rotation of shit that’s in all the other east coast videos, they find, restore and battle a cornucopia of asphalt inclines and cracked cement. You can practically see the flashbacks of all the attempts it probably took Coakley to roll away from that ender back tail as he’s still rattling down the bank. You’re not going to catch much by way of Big Screen, Muni or Pulaski clips, and when something like the Albany plaza does show up, it’s with a third-eye open.

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Lotta Brodies, One Ledge

Naquan Rollings’ “$$$six” video is a slice of life montage into what it is like to spend hours on end at the refurbished Tompkins Square Park, circa 2024. Could basically be VR. That backflip guy has to go back and get that. #tfreport.

“I don’t make something unless I really like it and think it’s fire and cool and I want to wear it — or I think it’ll sell. Usually the shit that I think is the best and all my friends think is the coolest doesn’t do well. Then the shit that I’m like, ‘Whatever, this is bullshit’ — it sells out.” A tale as old as time. Village Psychic interviewed Myles Underwood, the mind behind Fuck This Industry.

Theories shared Josh Feist’s part from Traffic’s It’s Completely Fine video. Heavy on the Philly clips, lots of insanely crustaceous spots, and those tricks from the black marble rock onto the cement ledge are wild.

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You Got A Hundred Dollar Bill Put Ya Hands Up

Connor & E.J. @ 20th & C filming for OD 📷 via @jefemixtape

Extending the Labor Day free shipping deal for another day. All goods in the webstore ship free within the U.S., regardless of order value. ❤️ Thank you for supporting QS.

It’s a beautiful day: Skate Jawn “$100 Chill” series is back, and the latest episode is with none other than Mr. P Tricky.

Mark Suciu told the story of his backside 5050 @ CBS Thrasher cover that was shot while Salt Bae was taking a nap. When we dropped the Top 10 that coincided with the week that “Verso” came out, some people were like, “that’s a weird trick to choose for #1 from the part.” Sure, it’s not some spine contorting technical ledge skating, but motherfucker do you want to lock both of your trucks onto that skinny-ass rail a millisecond after you’ve ollied up a ledge? There’s also decades worth of piss and shit in the pit behind the rail. (It was the inspiration behind this Antonio Quote of the Week.)

Theories uploaded Static VI in full.

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Architectural Digest

Photo via @tossnyc_slon

“Everything hard to get or expensive isn’t necessarily any more fulfilling. If caviar was $1 a pound, I don’t think anybody would want it.” Jenkem interviewed Antonio Durao about the move to Hardbody, sponsorship history, and his beautiful perspective on this thing we call life ❤ ️

Ted Barrow runs through the history of the Courthouse-Blubba-Columbus Park triangle that sits at the site of the once worst-slum in America — and now makes up probably 25% of New York skate coverage — for the latest episode of Thrasher‘s “This Old Ledge.”

Our friends at Place Mag and Daniel Paese tried to answer one of humanity’s most confounding questions via video essay. No, not are we alone in the universe, but the eternal: “why don’t you skate at the skatepark?”

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Louisiana Report — Jordan Trahan’s ‘Static VI’ Part Is Live

The closing part of Josh Stewart’s Static VI + Boil the Ocean’s #1 video part of 2023 (in chatting about this, Josh aptly referred to BTO as “one of skateboarding’s last mysteries left”) is live.

The Static series built its reputation on going against the grain. Its inaugural 1999 video spotlit the talent sitting under the Florida sun when everyone else was chasing the California Transworld dream. Static II solidified a path through the crust and diamond-plate when everyone else was horny for Barcelona marble. Static IV + V doubled-down on the full-length’s viability when the rest of skateboarding was all-in on the trend of calling it dead. (Apologies for not coming up with a nod for Static III, but it’s honestly the one I’ve watched the least.)

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